Awakening II
Original print or mixed media work on paper • Sara Jun Chang
Style & Movement
Contemporary Abstract with botanical elements; influenced by Color Field painting and modern decorative abstraction
Medium & Technique
Serigraph (screenprint) or lithograph likely combined with monotype techniques, featuring flat color planes, ink transfer, and delicate linear drawing
Creation Period
Late 20th to early 21st Century (c. 1990-2010)
Dimensions & Format
Approximately 12x12 inches (image) within a larger frame; square format within a landscape orientation matting
Subject Description
An abstract composition utilizing a palette of earthy reds, ochres, and muted greens. Overlaid on the geometric blocks of color is a delicate, minimalist line drawing of a botanical stem or flower, creating a juxtaposition between heavy tectonic forms and fragile natural elements.
Condition & Value Assessment
Condition Assessment
Good. The print appears well-preserved under glass, though the frame shows some minor scuffing and a retail sticker is present on an adjacent object.
Estimated Market Value
$50 - $150 USD
Auction Estimate
$30 - $80 USD
Provenance History
Likely acquired from a retail gallery or interior design showroom; current location suggests secondary market or thrift/estate liquidation (indicated by the Goodwill tag in the background).
Art Historical Significance
Representative of high-quality contemporary decorative prints produced for the residential and commercial design markets. While not pioneering a specific movement, it demonstrates a technical mastery of layering and composition common in late-century printmaking.
Notable Features
Hand-signed by the artist in pencil along the bottom right margin; title 'Awakening II' inscribed in pencil at the bottom left; unique textural 'chatter' marks in the center-left red field.
Condition Issues
Minor surface dust on glass; possible slight light-fading if previously displayed in direct sunlight; frame has minor abrasions.
Conservation Recommendations
Keep away from direct UV light to prevent fading of the red pigments. If re-framing, use acid-free archival matting and UV-protective glass.