Landscape with Sagebrush (Study)
Painting on paper • Charles Marion Russell (Commonly known as C.M. Russell)
Style & Movement
American Western Art / Western Realism
Medium & Technique
Watercolor and gouache on paper; employs wet-on-dry technique for fine details of the flora and localized washes for ground texture.
Creation Period
Late 19th to early 20th Century (circa 1890–1920)
Dimensions & Format
Landscape format; estimated visible area 4 x 6 inches (based on close-up nature of the image).
Subject Description
A detailed rendering of arid Western terrain featuring clumps of sagebrush and rocky soil. The composition focuses on the naturalistic textures of the Montana or Wyoming wilderness, characteristic of the artist's firsthand observations of the American frontier.
Condition & Value Assessment
Condition Assessment
Good; the pigment retains its saturation, though there appears to be slight toning of the paper consistent with age.
Estimated Market Value
$15,000 - $35,000 (assuming authenticity as an original watercolor study)
Auction Estimate
$10,000 - $25,000
Provenance History
The piece bears the iconic buffalo skull signature mark used by Russell. Likely held in a private collection or acquired through a gallery specializing in Western Americana.
Art Historical Significance
C.M. Russell is a foundational figure in American Western art. This work demonstrates his mastery of watercolor to capture the subtle color shifts of the high plains, serving as an important record of the 'Old West' before its disappearance.
Notable Features
Features the highly collectible 'Buffalo Skull' insignia following the 'C M Russell' signature, which was the artist's personal trademark and symbol of his respect for native cultures and the plains.
Condition Issues
Possible minor foxing and light-induced fading of more fugitive pigments (purples/pinks); slight mat burn visible at the lower edge where the paper meets the frame.
Conservation Recommendations
Recommend removal from current frame to inspect for acidic mounting materials; reframing with UV-protective museum glass and acid-free archival matting is suggested.