The Virgin and Child with Saint Anne

Painting on panel (likely a 19th-century or 20th-century replica/copy)After Leonardo da Vinci; likely by an anonymous copyist or student of a European fine art academy.

The Virgin and Child with Saint Anne

Style & Movement

High Renaissance (in style); Academic Copy (in period).

Medium & Technique

Oil on wood panel or canvas mounted to board; utilizes sfumato (soft transitions) and glaze-heavy application typical of the High Renaissance style.

Creation Period

Modern era copy (Late 19th century or early 20th century) after the original c. 1503–1519.

Dimensions & Format

Estimated 170 cm x 130 cm; Portrait orientation.

Subject Description

A complex grouping of St. Anne, her daughter the Virgin Mary, and the infant Jesus. Mary sits on her mother's lap, leaning forward to restrain the Christ child, who playfully grapples with a sacrificial lamb (symbolizing the Passion). The composition is famously pyramidal, set against a rocky, atmospheric mountain landscape.

Condition & Value Assessment

Condition Assessment

Good (as a copy); exhibit-grade condition with some surface dust and darkening of the varnish.

Estimated Market Value

$2,000 - $5,000 (Valued as a high-quality decorative copy rather than an original work).

Auction Estimate

$1,500 - $3,500.

Provenance History

Unknown; appears to be a study or museum-grade copy used for educational or decorative purposes in a private or minor institutional setting.

Art Historical Significance

The original work in the Louvre is a cornerstone of High Renaissance composition, showcasing Leonardo’s interest in movement, psychology, and 'sfumato'. This copy serves as a testament to the enduring influence of Leonardo's motifs in later centuries.

Notable Features

The presence of the painting on a rustic easel and the theatrical draping suggests it is likely part of a museum display or a historical reenactment space rather than a private gallery sale.

Condition Issues

Minor surface abrasions near the edges; yellowing of the protective topcoat; some visible texture indicates the support may be older than the paint layer or is a synthetic board.

Conservation Recommendations

Surface cleaning of grime, re-varnishing with a non-yellowing synthetic resin, and professional framing to protect the exposed edges of the support.

Identified on 3/18/2026
The Virgin and Child with Saint Anne - After Leonardo da Vinci; likely by an anonymous copyist or student of a European fine art academy. | Art Identifier