Panels for the Baron de Domecy: Trees (Arbres) and Figures
Decorative mural painting, original interior panels later transferred to canvas • Odilon Redon (French, 1840–1916)
Style & Movement
Symbolism / Les Nabis influence
Medium & Technique
Oil and distemper on canvas (originally applied to plaster/wood panels). Employs dry-brush techniques, layering, and flat washes characteristic of Nabis decorative cycles.
Creation Period
Circa 1900-1901
Dimensions & Format
Tall vertical rectangular panels (Approximately 250 cm x 60 cm each), presented as a multi-panel decorative series.
Subject Description
Imaginary botanical and mythical landscapes featuring ethereal floating flora, a large golden orb (suggesting a mystical sun or flower), and robed figures in contemplative poses. The composition emphasizes verticality and a dream-like, transcendent atmosphere over realistic spatial logic.
Condition & Value Assessment
Condition Assessment
Very Good. The surfaces appear stable, though the matte nature of the distemper/oil mix is susceptible to light fading and environmental sensitivity.
Estimated Market Value
$5,000,000 - $10,000,000 (Based on the rarity of Redon's large-scale decorative commissions)
Auction Estimate
$4,000,000 - $7,000,000 per significant panel
Provenance History
Commissioned by Baron Robert de Domecy for the dining room of his château in Burgundy (Château de Domecy-sur-le-Vault). Acquired by the French State or donated to the Musée d'Orsay collection.
Art Historical Significance
A pivotal moment in Redon's career marking his transition from the 'Noirs' (charcoals/lithographs) to a vibrant colorist phase. This commission is one of the most important large-scale Symbolist decorative schemes in French art history, illustrating his unique 'dream' logic applied to domestic architecture.
Notable Features
Distinctive yellow 'sun-flower' orb; use of negative space (unpainted or lightly washed background); ethereal, elongated proportions that bridge the gap between 19th-century Symbolism and modern abstraction.
Condition Issues
Potential for minor surface abrasions and pigment friability due to the matte medium. Historical transfer from original walls to canvas support leads to slight texture variations.
Conservation Recommendations
Maintain strict UV-filtered lighting (low lux levels) and stable humidity (45-55%). Use of non-reflective museum glass is visible to protect the fragile matte surfaces.