Madonna and Child (The Madonna of the Goldsmiths)

Panel painting (small-scale devotional object)Duccio di Buoninsegna

Madonna and Child (The Madonna of the Goldsmiths)

Style & Movement

Sienese School, Proto-Renaissance (Italo-Byzantine transition)

Medium & Technique

Egg tempera and gold leaf on poplar wood panel, including punchwork (granare) and incised lines in the gilding

Creation Period

Circa 1290-1300

Dimensions & Format

Approximately 28 x 21 cm; Portrait format, small scale intended for private devotion

Subject Description

The Virgin Mary holding the Christ Child in an 'Eleusa' (Tenderness) iconographic type. The Child reaches up to touch Mary's veil, a humanizing gesture typical of Duccio's softening of Byzantine rigidity. Mary wears a deep blue-green mantle with a gold-bordered veil, and the Child is dressed in a reddish tunic with translucent drapery.

Condition & Value Assessment

Condition Assessment

Fair to Good; significant age-related wear, craquelure, and losses typical of 13th-century tempera works

Estimated Market Value

$45,000,000 - $60,000,000 (based on 2004 acquisition price adjusted for inflation and rarity)

Auction Estimate

Valuation on request (extremely rare; likely to exceed $50 million)

Provenance History

Formerly in the collection of the Palazzo del Magnifico, Siena; several private European collections; currently in the collection of the Metropolitan Museum of Art (acquired 2004)

Art Historical Significance

A pivotal work in Western art history, representing the transition from flat Byzantine icons to the psychological depth and spatial awareness of the Renaissance; Duccio is the father of Sienese painting.

Notable Features

Includes the original integral engaged frame which is rare for this period; features very fine needle-point punchwork in the halo and a parapet at the bottom which suggests an early attempt at spatial illusionism.

Condition Issues

Extensive 'alligator' craquelure across the surface; some abrasion of the gold leaf; visible wood grain patterns (telegraphing) through the gesso; minor losses at the edges of the original engaged frame; historical cleaning has thinned some glazes.

Conservation Recommendations

Strict climate control (50% RH); UV-filtered glazing; minimal physical intervention to preserve original 13th-century patina; avoid any humidity fluctuations to prevent further panel warping.

Identified on 6/30/2026
Madonna and Child (The Madonna of the Goldsmiths) - Duccio di Buoninsegna | Art Identifier