Tulip Trio (Descriptive Title)
Original painting on paper or board, likely used as an illustration for mass production. • Peggy Abrams (American, 1923–2011). Finished with her characteristic signature and copyright symbol.

Style & Movement
Contemporary Decorative Illustration / Traditionalist Floral Realism. This style is closely associated with the 'Victorian Revival' aesthetic popular in the late 20th century.
Medium & Technique
Mixed media, likely watercolor and gouache with possible colored pencil or acrylic washes. The technique utilizes soft glazing for the petals and dry brushwork for the textured background.
Creation Period
Late 20th century, circa 1980-1995.
Dimensions & Format
Approximately 12 x 16 inches (visible image); Portrait format, presented in a matted gold-tone frame.
Subject Description
The composition features three red and yellow variegated tulips in a vertical cluster. The iconography focuses on the elegance of nature, employing a muted, earthy background palette to emphasize the warmth of the floral subjects. It is designed for decorative appeal.
Condition & Value Assessment
Condition Assessment
Good. The artwork appears stable, though there are signs of age-related degradation.
Estimated Market Value
$150 - $400 USD (as an original work); $20 - $50 (if confirmed as a high-quality offset lithograph).
Auction Estimate
$100 - $300 USD.
Provenance History
Likely acquired through a decorative art gallery or interior design showroom. Abrams was a highly prolific licensing artist whose work appeared in various retail markets.
Art Historical Significance
Peggy Abrams was a significant figure in the commercial and decorative art world, known for her 'Old World' style that influenced American home decor and greeting card illustration for decades.
Notable Features
Features the artist's distinctive cursive signature with the copyright symbol, indicating its primary purpose as an illustration intended for licensed reproduction.
Condition Issues
Visible foxing (small brown spots) on the matting and potentially the paper support; slight yellowing of the paper due to non-acid-free materials; minor wear to the gilded frame.
Conservation Recommendations
Re-matting with acid-free, archival museum board to prevent further foxing/acid burn. Installation behind UV-protective glass to prevent pigment fading. Maintain in a stable environment with 45-55% humidity.
Collector Notes
Peggy abrams