Stylized Owl (Blue)

Print on paper; likely a screenprint (serigraph) or high-quality lithographic reproductionAttributed to Eleanor Milne (1925–2014) or a contemporary within the Ottawa art community/Glebe area printmakers.

Stylized Owl (Blue)

Style & Movement

Modernist Graphic Illustration / Canadian Decorative Arts; influenced by the mid-century folk-art revival and psychiatric art styles.

Medium & Technique

Monochromatic blue ink on paper. The technique employs intricate line work, stippling, and repetitive patterning (zentangle-inspired) to create texture and volume.

Creation Period

Circa 1970–1985; based on the aesthetic and the metadata provided by the owner regarding the Ottawa regional art scene.

Dimensions & Format

Approximately 12 x 16 inches; Portrait format.

Subject Description

A highly stylized, bulbous owl rendered in cobalt blue. The internal composition is a dense tapestry of paisley, floral, and geometric motifs. The eyes are blank white circles with stippled pupils, contributing to a whimsical yet intense expression.

Condition & Value Assessment

Condition Assessment

Good to Fair. There is visible toning (yellowing) of the paper consistent with age and exposure to non-acid-free backing.

Estimated Market Value

$100 - $250 USD

Auction Estimate

$75 - $150 USD

Provenance History

Acquired within the Ottawa, Ontario region. Likely sold through a local gallery or craft fair in the late 20th century. Artist signature/monogram 'EM' or 'EK' visible in the lower right corner.

Art Historical Significance

Represents the vibrant regional printmaking culture of Ottawa during the 1970s. Works like these bridged the gap between commercial illustration and fine art during the peak of the Canadian craft movement.

Notable Features

Features a distinctive calligraphic monogram in the bottom right. The ink has a slightly raised quality characteristic of screenprinting.

Condition Issues

Paper oxidation (acidic discoloration), minor surface smudges, and potential fading of the blue pigment if exposed to UV light. The frame appears to be a basic metal channel frame which may not be archival.

Conservation Recommendations

Reframing with acid-free matting and UV-protective glass is recommended to prevent further yellowing and degradation of the paper fibers.

Collector Notes

Ottawa artist

Identified on 7/6/2026