Expressionist Portrait of a Female Figure with Arms Raised
Original painting on heavy paper or board, likely a study or work on paper mounted under glass • Contemporary artist, likely from the Neo-Expressionist or Contemporary Realist school. Features a small circular monogram or signature in the lower right corner (possibly 'B' or 'S'). Style is reminiscent of artists like Henrik Uldalen or Casey Baugh.
Style & Movement
Contemporary Neo-Expressionism / Expressive Realism
Medium & Technique
Mixed media, likely acrylic or oil with possible oil pastel or charcoal elements. Employs aggressive gestural brushwork, wet-on-wet blending, and alla prima technique with high-contrast chiaroscuro.
Creation Period
Circa 21st Century (c. 2000-2024), based on contemporary gestural style and modern framing.
Dimensions & Format
Approximately 24 x 20 inches (61 x 51 cm); Portrait orientation, rectangular format within a thin gold-toned modern frame.
Subject Description
A female figure in a dynamic, mid-motion pose with arms raised behind her head. The composition focuses on the tension of the musculature and the play of light. The face is obscured by shadow, emphasizing form and emotion over likeness. Bold, sweeping strokes of black and earthy browns create a chaotic background that contrasts with the warmer red and flesh tones of the figure.
Condition & Value Assessment
Condition Assessment
Very Good; The pigments appear vibrant and the surface shows no immediate signs of flaking. The paper support appears flat behind the glass.
Estimated Market Value
$1,500 - $4,500 USD (depending on the confirmed identity of the artist)
Auction Estimate
$1,000 - $3,000 USD
Provenance History
Likely acquired through a contemporary gallery or direct artist studio sale. No visible historical exhibition labels are present on the front, suggesting recent private ownership.
Art Historical Significance
Represents the modern resurgence of figurative painting that prioritizes psychological depth and physical movement over photographic accuracy. It situates itself in the lineage of Francis Bacon and Frank Auerbach, utilizing distortion to convey internal states.
Notable Features
Distinctive use of negative space at the bottom corners; a small circular artist monogram in the bottom right corner; energetic, 'painterly' strokes that bleed into the margins.
Condition Issues
Minor surface reflections from the glass indicate it is not museum-grade anti-reflective glazing. Possible slight edge curling near the bottom right, typical of works on paper.
Conservation Recommendations
Upgrade to UV-protective, non-reflective museum glass to prevent pigment fading. Ensure archival mounting with acid-free spacers to prevent the paint surface from touching the glass.