Tête d'Homme (Head of a Man)
Drawing / Work on paper • Attributed to Pablo Picasso (1881–1973). The signature at the bottom suggests it may be a dedication ('pour...') or an autograph drawing.
Style & Movement
Late Period / Cubist-inspired Minimalism. Representative of Picasso's late-career interest in simplified, fast, gestural line drawings.
Medium & Technique
Felt-tip pen or marker on paper. The technique is purely linear, characterized by a continuous, fluid contour line with minimal cross-hatching to denote shadow in the right eye area.
Creation Period
Late 1960s to early 1970s (likely circa 1967-1971)
Dimensions & Format
Approximately 12 x 9 inches (standard portfolio size); Portrait orientation.
Subject Description
A frontal portrait of a male face characterized by asymmetrical eyes, a prominent long nose, and wavy hair. The composition uses a singular, confident line to define the jaw and hair, which is typical of Picasso’s 'shorthand' style for figurative subjects.
Condition & Value Assessment
Condition Assessment
Good. The paper appears slightly toned, possibly from age or exposure. There are significant reflections from the glazing in the photograph, making it difficult to assess the paper's texture or potential foxing.
Estimated Market Value
$15,000 - $25,000 (If authenticated as an original felt-tip drawing)
Auction Estimate
$10,000 - $18,000
Provenance History
Unknown. The inscription below the portrait starts with 'Pour [Name]', suggesting it was gifted directly by the artist or signed at an event. The signature 'Picasso' is visible at the bottom right of the inscription loop.
Art Historical Significance
During his final years, Picasso produced thousands of rapid drawings and prints. These works demonstrate his mastery of economy of line, where a complex face is reduced to its most essential geometric and organic components. Similar 'Head' drawings appear in his 1960s 'Le Goût du Bonheur' and '156 Series'.
Notable Features
The inscription is reversed or highly stylized, typical of Picasso's playful approach to signatures. The specific use of a thick black marker points toward the later 20th century, specifically the years he spent at Mougins.
Condition Issues
Possible light-induced fading known as 'light strike' (common with felt-tip markers), minor paper waving/buckling, and potential acidic matting issues which can cause yellowing at the edges.
Conservation Recommendations
Remove from the current frame to inspect the verso for hidden markings. Re-frame using museum-grade acid-free materials and UV-protective glazing (Optium Acrylic or Museum Glass) to prevent further fading of the ink.