Plowing the Fields Under a Spiral Sun
Work on paper, likely a drawing or mixed media painting • Signed lower right, appears to be 'Lia T...'; manner of European Post-Impressionism or Expressionism, reminiscent of the rhythmic styles of Edvard Munch or the decorative energy of early 20th-century folk-tinged modernism.
Style & Movement
Post-Impressionism / Expressionism with elements of Divisionism. The work displays a focus on the spiritual and energetic qualities of nature common in early Modernist movements.
Medium & Technique
Crayon, pastel, and gouache or watercolor on paper. Utilizes a rhythmic, expressive linear technique with a focus on color modulation and circular composition.
Creation Period
Mid-20th Century (circa 1940s–1960s)
Dimensions & Format
Approximately 18 x 24 inches (image size); horizontal landscape format housed in a matted gilt frame.
Subject Description
A rural landscape featuring two figures plowing a field with a horse. The composition is dominated by a large, radiant spiral sun in the center-top, emitting rhythmic bands of light that structure the entire sky and reflect into the furrows of the earth. It symbolizes the cyclical nature of agricultural life and the vital energy of the cosmos.
Condition & Value Assessment
Condition Assessment
Good. Colors appear vibrant, though there is a possibility of minor light-fading over time given the medium.
Estimated Market Value
$400 - $800
Auction Estimate
$300 - $600
Provenance History
Unknown; likely acquired from a regional gallery or private estate. Visible signature suggests a specific artist whose secondary market is likely localized.
Art Historical Significance
The work reflects the mid-century interest in bridging traditional rural subjects with modern expressive techniques. It demonstrates how the influence of Van Gogh (sunflower/sun motifs) and Munch (rhythmic lines) persisted into the mid-20th century among regional artists.
Notable Features
The distinctive spiral treatment of the sun is the central aesthetic feature, creating a sense of movement and 'vibration' across the surface of the work. The signature 'Lia' is clearly visible in the bottom right corner.
Condition Issues
Possible minor paper undulation; potential acidity from the matting if not archival; slight yellowing of the paper visible at the edges.
Conservation Recommendations
Ensure the work is mounted behind UV-protective glass. Recommend checking if the mat board is acid-free to prevent 'mat burn' over time. Keep away from direct sunlight due to the sensitivity of pastels/crayons.