Saint Mary Magdalene in Ecstasy

Painting on canvas, portrait formatCircle of Guido Reni or Guercino (Emilian School)

Saint Mary Magdalene in Ecstasy

Style & Movement

Italian Baroque (Bolognese School)

Medium & Technique

Oil on lined canvas, utilizing chiaroscuro and sfumato techniques in the transitions of drapery and skin tones.

Creation Period

Early 17th Century (c. 1620-1640)

Dimensions & Format

106 cm x 92 cm (framed); Portrait orientation

Subject Description

A female saint, likely Mary Magdalene, depicted in a state of religious ecstasy. She is seated, looking heavenward with an open-palm gesture and hand to chest, signifying devotion. A putto is visible in the lower left, and her blue mantle contrasts with her pale shift, set against a dark atmosphere typical of Counter-Reformation art.

Condition & Value Assessment

Condition Assessment

Good to Fair. The painting shows evidence of historical lining and a thick, somewhat yellowed varnish layer.

Estimated Market Value

$8,000 - $12,000 USD

Auction Estimate

$5,000 - $9,000 USD

Provenance History

Unknown; likely from a private European collection. The frame appears to be a later 18th or 19th-century salvage or reproduction in the Salvator Rosa style with faux-lapis accents.

Art Historical Significance

A representative example of the Bolognese Baroque emphasis on emotionality and classical beauty. It demonstrates the influence of Reni's 'ideal beauty' and the Catholic Church's demand for devotional imagery that inspired piety through dramatic expression.

Notable Features

The use of a blue and gold decorative frame (possible blue scagliola or painted wood) is distinctive. The upward gaze and specific hand positioning are iconographic hallmarks of the period's ecstatic portraiture.

Condition Issues

Surface craquelure consistent with age, visible darkening of pigments (bitumen-related), historical relining which may have flattened some impasto, and minor frame losses.

Conservation Recommendations

Professional cleaning to remove yellowed varnish, stabilization of minor paint loss, and placement in a climate-controlled environment away from direct UV light.

Collector Notes

Early 17th Italian . 106 cm x 92 cm framed oil on lined canvas

Identified on 6/25/2026