Madonna and Child with Saint Jerome and Saint Louis of Toulouse

Painting on panelAttributed to Giovanni Bellini and his workshop (specifically Alvise Vivarini or a close associate in the Venetian school)

Madonna and Child with Saint Jerome and Saint Louis of Toulouse

Style & Movement

High Renaissance (Venetian School)

Medium & Technique

Oil (likely with some tempera) on wood panel. Techniques include glazing for skin tones and fine-point linear details in the landscape and foliage.

Creation Period

Circa 1500–1510

Dimensions & Format

Approximately 110 x 80 cm; vertical arched format (lunette-top)

Subject Description

A 'Sacra Conversazione' (Sacred Conversation) featuring the Virgin Mary seated on a rocky throne holding the Christ Child. To her left is Saint Jerome, depicted as a semi-nude ascetic holding a stone; to her right is Saint Louis of Toulouse in his bishop's cope and mitre. The background features a detailed Lombard/Venetian landscape with a walled hill town, typical of the late 15th-century Venetian style.

Condition & Value Assessment

Condition Assessment

Good. The paint film appears stable, though there is evidence of historical cleaning and typical craquelure consistent with age-related stress on wood support.

Estimated Market Value

$500,000 - $1,200,000 (depending on definitive workshop attribution versus autograph hand)

Auction Estimate

$400,000 - $800,000

Provenance History

Likely commissioned as an altarpiece for a private chapel in Venice or the Veneto. Several versions of this composition exist in European public collections, suggesting it was a popular workshop motif.

Art Historical Significance

Represents the transition in Venetian art from the stiff, late-Gothic styles of the Vivarini to the atmospheric and tonal lyricism introduced by Giovanni Bellini. It highlights the importance of workshop replication in Renaissance Italy.

Notable Features

The distinctive 'cartellino' (small paper scroll) at the base of the Virgin's throne is a signature Bellini workshop trait. The inclusion of the fig tree behind the Virgin acts as a symbolic reference to the fall of man and subsequent redemption.

Condition Issues

Minor thinning of glazes in the sky area, light vertical cracking following the grain of the wood panel, and small areas of retouching visible under UV light near the edges of the arch.

Conservation Recommendations

Maintain in a climate-controlled environment with 50% relative humidity to prevent panel warping. Use UV-filtered lighting and occasional inspection for pest activity in the wood support.

Identified on 4/25/2026
Madonna and Child with Saint Jerome and Saint Louis of Toulouse - Attributed to Giovanni Bellini and his workshop (specifically Alvise Vivarini or a close associate in the Venetian school) | Art Identifier