Lanyon Quoit Dolmen (also inscribed as 'La Sair Dolmen')
Print on paper, likely an etching or aquatint • Michael Richecoeur (British, b. 1946)
Style & Movement
Contemporary British Realism / Post-War Printmaking. The style is characterized by atmospheric tonalism and a focus on the landscape and megalithic structures of the Channel Islands and Cornwall.
Medium & Technique
Etching and aquatint in sepia/brown ink. Technique involves acid-biting a metal plate to create tonal variations and fine line work, characteristic of the intaglio process.
Creation Period
Late 20th Century (approximately 1970–1990)
Dimensions & Format
Landscape format. Estimated image size approximately 10 x 18 inches; total frame size approximately 20 x 28 inches.
Subject Description
The artwork depicts a prehistoric dolmen (likely Lanyon Quoit in Cornwall) set against an expansive, atmospheric sky with a low sun or moon. The composition uses high-contrast shadows to emphasize the weight of the stone structures against the ephemeral light of the sky, evoking themes of deep time and ancient history.
Condition & Value Assessment
Condition Assessment
Good. The print appears well-preserved within its mount, though there is potential for light-induced yellowing of the paper (acidification) typical of older matting materials.
Estimated Market Value
$250 - $450 USD
Auction Estimate
$150 - $300 USD
Provenance History
The piece is marked 'A/P' (Artist's Proof) and signed by the artist. These are typically retained by the artist or sold to early collectors. Likely acquired from a gallery specializing in British or Channel Island contemporary prints.
Art Historical Significance
Michael Richecoeur is a notable printmaker known for his mastery of the aquatint process. His work is significant for capturing the specific topographical and mystical qualities of British megalithic sites, contributing to the long tradition of British landscape printmaking.
Notable Features
Inscribed 'A/P' in lower left, indicating it is an Artist's Proof outside the standard numbered edition. It features the artist's distinctive cursive pencil signature in the lower right and a titled center inscription.
Condition Issues
Visible reflection in glass prevents a full acid-damage check, but there appears to be slight toning on the paper edges. The frame shows minor surface wear.
Conservation Recommendations
Recommend replacing the current mat board with acid-free, archival museum-grade matting to prevent further yellowing. Use UV-protective non-reflective glass to preserve the sepia inks from fading.