Six Reclining Figures
Print on paper; likely a lithograph or etching • Henry Moore (British, 1898–1986)
Style & Movement
Modernism / Abstract Biomorphism. Moore is a central figure in 20th-century British sculpture and printmaking.
Medium & Technique
Lithograph or etching with aquatint in black ink. The technique mimics the textural qualities of Moore's charcoal or wax-crayon drawings with thick, organic silhouette forms.
Creation Period
1963 (as indicated by the '63' next to the signature)
Dimensions & Format
Approximately 50 x 65 cm; horizontal landscape format within a dark wooden frame.
Subject Description
The composition focuses on six abstract, reclining human figures arranged in two columns. These figures explore the relationship between positive volume and negative space (voids), a signature theme in Moore's work. The organic shapes evoke both the female body and landscape elements like hills or weathered stones.
Condition & Value Assessment
Condition Assessment
Good to Very Good. The paper appears relatively bright, though there is slight evidence of waving/cockling, which is common for paper works in standard framing.
Estimated Market Value
$3,000 - $6,000 USD (depending on whether it is a signed/numbered edition and paper quality)
Auction Estimate
$2,500 - $5,000 USD
Provenance History
Unknown. It bears the artist's signature 'Moore' and date '63' in the lower right. Likely acquired via a commercial gallery or specialized print auction.
Art Historical Significance
Henry Moore is one of the most significant sculptors of the 20th century. His prints served as two-dimensional explorations of the sculptural forms that would later become bronze monuments. This work represents his mature style, where human anatomy is distilled into primal, geological shapes.
Notable Features
Features the distinctive 'sculptural' shading within the black silhouettes, a technique Moore used to indicate 3D form even in 2D media. Signed and dated 'Moore 63' in the bottom right corner.
Condition Issues
Visible cockling (waviness) of the paper suggests it may not be mounted on acid-free backing or is reacting to humidity. Potential minor foxes or yellowing near the edges hidden by the matting.
Conservation Recommendations
It is recommended to have the piece inspected by a paper conservator to ensure it is mounted with acid-free materials and UV-protective glazing. Maintain a stable environment with 40-50% humidity to prevent further paper movement.