The Finding of Moses
Engraving/Stipple print on paper • Engraved by John Keyse Sherwin (English, 1751–1790), after a original painting by Joshua Moore (or himself). The print is dedicated to Her Majesty Queen Charlotte.
Style & Movement
Neoclassical / Late 18th-century British Academic printmaking
Medium & Technique
Engraving and stipple etching, likely printed in monochrome or sepia-toned ink on paper
Creation Period
Published circa 1789-1792
Dimensions & Format
Approximately 24 x 30 inches (standard large folio print size); landscape orientation.
Subject Description
The biblical narrative of Pharaoh's daughter discovering the infant Moses in the bullrushes. The composition features numerous women in fashionable 18th-century orientalist attire, symbolizing Egyptian royalty. In the background, an idealized Egyptian landscape with pyramids and an obelisk is visible. The figures are famously believed to be portraits of contemporary English noblewomen, including the Duchess of Devonshire.
Condition & Value Assessment
Condition Assessment
Fair to Good. There is distinctive overall yellowing/browning of the paper consistent with age and light exposure.
Estimated Market Value
$300 - $600 USD
Auction Estimate
$200 - $400 USD
Provenance History
Indications include a formal inscription to 'The Queen's Most Excellent Majesty.' Likely part of a private estate collection; such prints were common in late 18th and 19th-century aristocratic English households.
Art Historical Significance
A representative example of late 18th-century grand-manner printmaking. It highlights the trend of 'portraiture in masquerade,' where socialites were depicted as historical or biblical figures. Sherwin was a prominent engraver of the period, serving as Engraver to the King.
Notable Features
Includes a royal coat of arms in the lower center margin between the title words 'THE FINDING OF MOSES.' The inscription specifically mentions the dedication to the Queen, which served as a mark of prestige and patronage.
Condition Issues
Visible foxing (small brown spots), significant 'mat burn' or darkening around the edges of the image, and overall acid-toning of the paper. Potential waviness or cockling under the glass.
Conservation Recommendations
Remove from the current acidic backing and matting. A professional paper conservator should deacidify the paper. Use UV-filtering glass and acid-free archival materials for re-framing.