Eight Reclining Figures
Original print, color lithograph on paper • Henry Moore (British, 1898–1986)
Style & Movement
Modernism / Abstracted Figuration
Medium & Technique
Color lithograph involving multiple stones or plates (black, olive/ochre, and grey-brown) with a background of fine-line 'script' drawing
Creation Period
1958
Dimensions & Format
Approximately 60 x 45 cm (Paper); Portrait format
Subject Description
Eight variations of Moore's iconic reclining figure motif arranged in two vertical columns. The composition explores skeletal and biomorphic forms, translating three-dimensional sculptural ideas into a two-dimensional graphic language. The figures are overlaid on a complex 'scumbled' background suggestive of studio sketches.
Condition & Value Assessment
Condition Assessment
Fair to Good; exhibiting noticeable signs of typical aging for mid-century paper works
Estimated Market Value
$3,000 - $5,000 USD
Auction Estimate
$2,500 - $4,500 USD
Provenance History
Marked 'Epreuve d'artiste' (Artist's Proof) implying it was part of the artist's personal allocation or a presentation copy rather than the numbered edition. Likely transitioned from the artist's estate or a private collection through gallery secondary markets.
Art Historical Significance
Highly significant as it documents the transition of Moore's primary sculptural obsession—the reclining figure—into his prolific printmaking career. Moore used lithography to visualize multiple iterations of forms simultaneously, functioning as a 'laboratory' for his monumental bronzes.
Notable Features
Hand-signed 'Moore' and dated '58' in pencil at the lower left. Inscribed 'Epreuve d'artiste' (Artist's Proof) in pencil at the lower right, making it a more desirable specimen than the standard numbered edition (Cramer 43).
Condition Issues
Significant undulations in the paper (cockling), overall uniform yellowing/toning of the paper consistent with acid migration, and potential light-staining from long-term exposure. Visible horizontal crease or shadow line across the top third.
Conservation Recommendations
Requires deacidification treatment by a paper conservator and professional flattening. Should be remounted using acid-free, archival materials and protected by UV-filtering museum glass.