Abstract Composition (attributed to Herman Cherry)
Painting on canvas • Herman Cherry (1909–1992); the signature in the lower right 'Cherry 56' is consistent with his mid-century Abstract Expressionist period.
Style & Movement
Abstract Expressionism / New York School / Action Painting
Medium & Technique
Oil or acrylic on canvas. Employs gestural abstraction with heavy brushwork, splashing, and scraping techniques characteristic of the New York School.
Creation Period
Circa 1956 (based on the visible '56 date in the signature area)
Dimensions & Format
Approximately 36 x 36 inches; square format.
Subject Description
A non-objective composition focusing on movement and psychological tension. The work features a central cluster of dense black and red pigment with explosive splatters, contrasted by broad vertical strokes of yellow. Kinetic energy is suggested through thin, line-like splashes radiating from the center.
Condition & Value Assessment
Condition Assessment
Good. The canvas appears stable within its original thin wood 'slat' gallery frame, though significant surface grime and possible yellowing of the white ground are visible.
Estimated Market Value
$5,000 - $12,000 (pending authentication).
Auction Estimate
$4,000 - $8,000.
Provenance History
Likely acquired from a New York gallery or a regional collection in the mid-to-late 20th century. Lacks visible labels on the front; reverse may hold gallery stamps from the Poindexter or Stable Gallery.
Art Historical Significance
Herman Cherry was a core member of the New York School and regular at the Cedar Tavern. This 1956 work represents the height of American Abstraction, showcasing the shift from organic forms to more aggressive, gestural mark-making.
Notable Features
Distinctive mid-century palette of primary yellow, red, and black on a neutral ground. The signature ‘Cherry 56’ is a vital diagnostic feature. The thin wood frame is typical of original presentations for large-scale Abstract Expressionist works.
Condition Issues
Visible surface dust and soot accumulation; some cracking in the thicker impasto red sections; slight stretcher bar impressions along the top edge; the frame shows light scuffing and separation at the corners.
Conservation Recommendations
Professional surface cleaning by a paintings conservator to brighten the off-white ground. UV-protective glazing or placement away from direct sunlight is recommended. Re-tensioning or reinforcing the corners of the frame.