Woman in Red Beret (and Two Figures)

Print on heavy paper, likely an artist's proof (AP)Itzchak Tarkay (Israeli, 1935–2012)

Woman in Red Beret (and Two Figures)

Style & Movement

Contemporary Figurative / Fauvism influence / Modern Decorative Art

Medium & Technique

Serigraph (silk screen) or lithograph with hand-embellished texture; flat color planes with fine line work and stencil effects

Creation Period

Late 20th to Early 21st Century (Circa 1990-2010)

Dimensions & Format

Estimated 30 x 22 inches (image), 38 x 28 inches (framed); Portrait orientation

Subject Description

The artwork depicts three women in a social interior setting, likely a cafe or parlor. The central figure wears a striking red beret, a yellow patterned blouse, and a vibrant red floor-length skirt with floral outlines. Two other women are seen in the background. The composition is characterized by bold, saturated colors and a leisurely, melancholic mood typical of Tarkay's depictions of the female form.

Condition & Value Assessment

Condition Assessment

Good to Very Good; colors appear vibrant, though framing and lighting reflections suggest it is behind glass or acrylic.

Estimated Market Value

$800 - $1,500 USD

Auction Estimate

$400 - $800 USD

Provenance History

Marked 'A.P.' (Artist's Proof) in the lower left corner. Likely acquired through a commercial gallery or cruise ship art auction (such as Park West Gallery), where the artist had significant distribution.

Art Historical Significance

Tarkay was a leading figure in the modern figurative movement, heavily influenced by French Post-Impressionists like Matisse and Toulouse-Lautrec. His work is globally recognized for its commercial success and its ability to blend domestic tranquility with vibrant Fauvist color palettes.

Notable Features

Features the artist's distinctive signature in the lower right and the 'AP' designation, indicating it was part of a limited run outside the standard numbered edition.

Condition Issues

Possible minor undulation of the paper under the matting; potential light fading depending on UV exposure history.

Conservation Recommendations

Ensure the work is mounted using acid-free materials and protected by UV-filtering museum glass to prevent color degradation of the bright pigments.

Identified on 6/8/2026