Assumption of the Virgin (The Virgin in Glory)
Painting on paper, mounted to panel or secondary support • Studio or Circle of Giovanni Battista Salvi, called Sassoferrato
Style & Movement
Baroque (Italian School, specifically Roman Classicism)
Medium & Technique
Oil on thick paper using a sfumato and luminous glazing technique. Includes fine brushwork in the drapery and soft modeling of the flesh tones.
Creation Period
Mid to late 17th Century (c. 1650-1685)
Dimensions & Format
40 cm x 30 cm (Sight), Portrait orientation; 65 cm x 45 cm (with Tabernacle frame)
Subject Description
The artwork depicts the Virgin Mary ascending or in a state of celestial devotion, set against a cloud-filled sky with a cherub appearing in the upper left. Her hands are crossed over her chest in a gesture of humility. She wears the traditional red tunic and deep blue mantle, standing on a darkened terrestrial base.
Condition & Value Assessment
Condition Assessment
Good. The paint layer appears stable, though there is visible surface grime and aged varnish that has yellowed slightly.
Estimated Market Value
$6,000 - $9,000 USD
Auction Estimate
$4,000 - $7,000 USD
Provenance History
Formerly in a private German collection in Plauen. Likely held in ecclesiastical or private devotional settings in Europe prior to the 20th century.
Art Historical Significance
Representational of the 17th-century demand for small-scale devotional works. Sassoferrato’s style, characterized by Neo-Renaissance clarity and intense color, was highly sought after and frequently replicated by his workshop to meet Catholic Counter-Reformation needs.
Notable Features
Housed in an impressive Neoclassical style tabernacle frame with architectural columns and a pediment top, which enhances its presence as a 'domestic altar' piece. The use of paper as a primary support is typical for studies or high-quality small-scale workshop productions of the period.
Condition Issues
Minor craquelure consistent with oil on paper. Some darkening of the peripheral pigments. Frame shows minor wear to the gilding and some dust accumulation in the architectural moldings.
Conservation Recommendations
Surface cleaning by a professional conservator and a light refresh of the varnish. Maintain in a climate-controlled environment with UV-filtered lighting to prevent further darkening of the paper support.
Collector Notes
Ex private German collection in Plauten. Mid to late 17th century circle or possibly studio of Sassoferrato (Giovanni Battista Salvi) (1609-1685): oil on thick paper overall measurements with the tabernacle 65 cm x 45 cm and the painting 40 cm x 30 cm