Two Jugglers / Cirque Calder Study
Original drawing on paper • Alexander Calder (American, 1898–1976)
Style & Movement
Modernism / Surrealism; specifically associated with his wire sculpture phase and the 'Cirque Calder' series.
Medium & Technique
Ink on paper (pen and ink); featuring Calder's signature continuous, wire-like line drawing technique with minimal lifting of the pen.
Creation Period
1931
Dimensions & Format
Approximately 19 x 25 inches; Landscape format.
Subject Description
The composition features two circus performers (jugglers or acrobatic athletes) in a ring. The figures are rendered in a minimalist, contour style. One figure balances a ball on his head while tossing another, while a smaller figure in the background prepares to catch. The work captures dynamic motion and spatial depth through economy of line, reflecting his transition from figurative drawing to kinetic sculpture.
Condition & Value Assessment
Condition Assessment
Good; showing age-appropriate characteristics for a 90-year-old works on paper.
Estimated Market Value
$60,000 - $120,000 USD (subject to authentication)
Auction Estimate
$50,000 - $80,000 USD
Provenance History
Signed and dated 'Calder 1931' lower right. Likely acquired during the artist's prolific Paris period or shortly thereafter. Professional authentication via the Calder Foundation would be required for a definitive chain of custody.
Art Historical Significance
1931 was a pivotal year for Calder, marking his full shift into abstraction and the creation of the first 'mobiles.' This drawing serves as a 2D manifestation of his 3D wire sculptures, demonstrating his obsession with spatial volume and the circus theme that defined his early career.
Notable Features
Features the rhythmic, uninterrupted line that mimics the aesthetic of his wire sculptures; the inclusion of the circular 'ring' floor adds a geometric element that bridges his figurative work with his later geometric abstractions.
Condition Issues
Significant mat burn/acid transfer around the perimeter edges; visible yellowing/toning of the paper consistent with non-archival framing; minor ripples in the paper support.
Conservation Recommendations
Recommend de-framing by a professional paper conservator to remove acidic backing; treatment to reduce surface acidity; remounting using a reversible hinge method with acid-free museum-grade matting and UV-protective glass.
Collector Notes
Signed by Calder 1931.