Poolside Scene (Multi-Panel Study)
Print on paper, likely a lithograph or screenprint • Michael Hurson (American, 1941–2007)
Style & Movement
Contemporary Art / New Image Painting movement; characterized by a personal, somewhat eccentric approach to figurative subjects and architectural spaces.
Medium & Technique
Color lithography or screenprint with hand-drawn appearances; employs cross-hatching and bold black outlines to simulate crayon or pastel drawing.
Creation Period
Late 20th Century, circa 1970s - 1980s.
Dimensions & Format
Approximately 36 x 24 inches; vertical portrait format.
Subject Description
The composition features a series of six rectangular panels arranged in two vertical columns (3 left, 3 right) against a wide central margin. The subject is a repetitive view of a poolside patio with lounge chairs, palm trees, and potted plants. The repetition suggests a cinematic or storyboard-like progression, exploring spatial relationships and the passage of time through architectural shorthand.
Condition & Value Assessment
Condition Assessment
Fair to Good. Visible signs of age and environmental exposure.
Estimated Market Value
$1,500 - $3,000 USD
Auction Estimate
$800 - $1,200 USD
Provenance History
The work bears a signature 'MICHAEL HURSON' at the bottom right and an edition number '19/C' (possibly indicating a specific proof or color state) at the bottom left. Likely acquired via a contemporary art gallery or private collection during the late 20th century.
Art Historical Significance
Michael Hurson was a significant figure in the Chicago Imagist and New Image circles. His work often explored domestic and architectural isolation. This piece reflects his interest in 'divided' compositions and the psychological weight of empty, modern spaces, aligning him with contemporaries like Jennifer Bartlett and Joel Shapiro.
Notable Features
Distinctive use of repetition which is a hallmark of Hurson's 'room' and 'pool' series. The edition numbering style and the block-letter signature are characteristic of the artist's prints from the Paula Cooper Gallery era.
Condition Issues
Notable vertical band of severe yellowing/discoloration (toning) running down the center of the paper, likely caused by acid migration from non-archival backing or wood-framed glass contact. General yellowing of the paper support and possible fading of colors.
Conservation Recommendations
Requires professional deacidification and cleaning by a paper conservator to reduce the central staining. Re-framing is essential using acid-free, archival-quality matting and UV-protective glazing to prevent further light damage.