Gion in Kyoto (F)
Original woodblock print on paper • Kiyoshi Saitō (Japanese, 1907-1997)
Style & Movement
Sōsaku-hanga (Creative Print) movement; Modernist Japanese Printmaking
Medium & Technique
Color woodblock print (Sōsaku-hanga style) using water-based inks and hand-burnishing with a baren; features prominent wood grain textures in the foreground obtained through the 'mokume' technique.
Creation Period
1961
Dimensions & Format
Estimated image size 15 x 20.5 inches (38 x 52 cm); Landscape format
Subject Description
A modernist depiction of a traditional teahouse or 'ochaya' in the Gion district of Kyoto. The composition features a bold red paper lantern with kanji calligraphy and stylized white circles. The foreground depicts a stone path with exaggerated wood grain patterns, leading to a dark architectural structure with a red door and barred window.
Condition & Value Assessment
Condition Assessment
Good; visible toning on the matting and possible light fading to the pigments. Small areas of foxing or staining may be present in the margins under the glass.
Estimated Market Value
$1,500 - $2,500 USD
Auction Estimate
$1,200 - $1,800 USD
Provenance History
Kennedy Galleries, NYC label on verso (noted by owner). Likely acquired through the American market during the mid-20th century peak of interest in Japanese modernist prints.
Art Historical Significance
Kiyoshi Saitō was a leading figure in the Sōsaku-hanga movement, which emphasized the artist as the sole creator (designing, carving, and printing). This work reflects his signature synthesis of Japanese traditional architecture with Western modernist abstraction.
Notable Features
Features the artist's pencil signature, title 'Gion in Kyoto (F)', edition number (partially obscured), and date '1961' in the bottom margin. Includes the artist's red seal (hanko) in the lower left corner and characteristic heavy wood grain texture.
Condition Issues
The paper shows signs of age-related yellowing (toning). The matting is acidic and is causing 'mat burn' along the edges of the print. Slight undulation of the paper suggests it may be hinged at the top.
Conservation Recommendations
Professional removal from acidic matting and replacement with museum-grade acid-free materials. UV-protective glazing is recommended to prevent further fading of the red and black inks.
Collector Notes
Kennedy Gallery NYC on verso with self-carved and self painted text and artist name