The Angel Oak Tree (St. Johns Island, SC)

Fine art print, likely a lithograph or high-quality offset reproduction on paperAnonymous regional artist; common in Southern United States artists specializing in Charleston/Lowcountry landmarks. Reminiscent of the style of Jim Booth or Elizabeth O'Neill Verner, but likely a later commercial successor.

The Angel Oak Tree (St. Johns Island, SC)

Style & Movement

Regional Realism / Traditional Illustration.

Medium & Technique

Ink on paper (original likely pen and ink); technique involves stippling, hatching, and fine line work to create texture and depth in the foliage and sprawling limbs.

Creation Period

Late 20th century, approximately 1970s–1990s.

Dimensions & Format

Estimated 16 x 20 inches (artwork) inside a 24 x 30 inch frame; oval matting within a rectangular landscape frame.

Subject Description

A detailed botanical portrait of the famous Angel Oak Tree in South Carolina. The composition focuses on the massive trunk and the heavy, serpentine branches that rest on the ground. A small sign or plaque is depicted at the base, emphasizing its status as a landmark.

Condition & Value Assessment

Condition Assessment

Good to Very Good; there is evidence of minor yellowing of the paper consistent with age and non-archival matting.

Estimated Market Value

$50 - $150 USD (including frame value).

Auction Estimate

$30 - $80 USD.

Provenance History

Likely acquired via a local art gallery or specialty boutique in the Southeastern United States; secondary market purchase indicated by the ornate, painted Rococo-style revival frame.

Art Historical Significance

Represents the tradition of Southern regionalism and the documentation of historic natural monuments; decorative rather than historically influential in the broader art canon.

Notable Features

Features a distinctive oval-cut matting and a high-relief ornate white 'shabby chic' style frame which suggests a decorative interior design purpose.

Condition Issues

Potential acid burn from the matting; some surface scuffing on the white painted frame; slight waviness in the paper substrate suggesting possible humidity exposure.

Conservation Recommendations

Re-mount using acid-free archival matting and backing to prevent further yellowing. Use UV-protective glass if displayed in a bright room.

Identified on 5/21/2026