Father and Son Watching the Ship
Limited edition print on paper, likely an etching or lithograph with hand-coloring • Paul Geigan (American contemporary artist)
Style & Movement
Contemporary Realism / Narrative Illustration
Medium & Technique
Intaglio printmaking (etching) featuring line work and possible aquatint, with hand-applied watercolor or tinted inks for the sky and foliage
Creation Period
Late 20th Century (circa 1970s-1990s)
Dimensions & Format
Landscape format; plate size approximately 8 x 12 inches; framed size approximately 16 x 20 inches
Subject Description
The scene depicts a man in a striped sweater and a young boy standing on a rocky coastline, with the man pointing toward a multi-masted sailing vessel on the horizon. The composition uses a high horizon line to emphasize the vastness of the water, suggesting themes of heritage, exploration, and the passing of knowledge between generations.
Condition & Value Assessment
Condition Assessment
Good; the print appears well-preserved within its frame, though slight toning of the paper and minor mat burn are common for this period of framing.
Estimated Market Value
$100 - $250 USD
Auction Estimate
$50 - $150 USD
Provenance History
Numbered 97/200 in the lower left margin, indicating it is one of a limited series. Likely acquired through a commercial gallery or art fair catering to maritime enthusiasts.
Art Historical Significance
Paul Geigan is known for his maritime-themed works and nostalgic narrative scenes. While not a major figure in museum collections, his work is significant within the niche of 20th-century American maritime illustration and commercial printmaking.
Notable Features
Signed in pencil by the artist 'PAUL GEIGAN' in the lower right margin; hand-numbered 97/200 in the lower left; features a clear plate mark typical of intaglio printing.
Condition Issues
Possible light-induced fading of the hand-coloring if not kept under UV-protective glass; minor acid migration from non-archival matting may be present.
Conservation Recommendations
Ensure the work is mounted with acid-free museum-grade matting and protected by UV-filtering glass to prevent further yellowing of the paper and fading of the colors.