Running Horse (possibly titled after a specific Arabian breed or name)
Fine art print, likely a lithograph or high-quality serigraph, on heavy paper • Likely by a Western or Specialized Equine Artist (signature appears to read 'Barton' or similar, followed by '86')
Style & Movement
Contemporary Realism / Equine Art
Medium & Technique
Lithography or mixed media print including watercolor-like washes and charcoal-style textures; likely involves stone or plate lithography based on the soft transitions of the mane and torso.
Creation Period
1986 (Based on the signature date)
Dimensions & Format
Large portrait format, approximately 24 x 30 inches (image size) excluding the matting and frame.
Subject Description
A dynamic, frontal composition of a galloping horse, likely an Arabian or Andalusian given the high neck set and flowing mane. The artist use a monochromatic or limited palette to emphasize form and movement over color. The background is minimalist to keep focus on the anatomy of the animal.
Condition & Value Assessment
Condition Assessment
Very Good; the print appears flat and well-preserved behind glass, though slight yellowing and light reflections suggest standard aging of the paper.
Estimated Market Value
$300 - $800 USD (Depending on the specific artist's market and edition size)
Auction Estimate
$200 - $500 USD
Provenance History
Unknown; likely purchased from a commercial gallery or art auction specializing in equine art. Hand-signed and likely numbered or remarqued in the lower left/right margins.
Art Historical Significance
Follows the tradition of 20th-century equine portraiture which emphasizes the spirit and 'noble' character of the horse. It represents the late 20th-century market for realistic, decorative animal art popular in rural and western United States interiors.
Notable Features
Hand-signed by the artist in pencil in the bottom right; titled or inscribed in the bottom center; includes what appears to be a numbering or artist's proof designation in the bottom left.
Condition Issues
Possible minor light-fading if not protected by UV-filtering glass; slight undulation of the paper visible near the top; standard aging of the acid-free or traditional matboard.
Conservation Recommendations
Ensure the artwork is framed with UV-protective museum glass and acid-free archival matting to prevent 'acid burn' on the paper edges. Keep away from direct sunlight.