Circe Invidiosa (specifically focusing on a reproduced detail/variant similar to the Sorceress or Circe Poisoning the Sea)
Reproduction print on paper or thin card, mounted in a gilded wooden frame. • After John William Waterhouse (1849–1917).
Style & Movement
Pre-Raphaelite Brotherhood / Symbolism / Classicism.
Medium & Technique
Mechanical printing (likely lithography or offset printing) mimicking the original oil painting. The original work by Waterhouse utilized oil on canvas with thin glazing and smooth academic brushwork.
Creation Period
Original painting 1892; this specific reproduction likely dates to the mid-to-late 20th century.
Dimensions & Format
Estimated 10 x 12 inches (including frame), landscape orientation.
Subject Description
A dark-haired woman (Circe) in a red/terracotta classical gown leans over a reflective surface or bowl. The scene depicts her brewing a potion to transform her rivals or enemies. The imagery includes a circular mirror reflecting galleons on the sea and a checkered floor, typical of Waterhouse's mythological compositions.
Condition & Value Assessment
Condition Assessment
Good. The print surface appears stable, though the matting shows slight discoloration and the frame has minor age-related wear.
Estimated Market Value
$20 - $75 (USD)
Auction Estimate
$10 - $40 (USD)
Provenance History
Likely mass-produced for the decorative market; no specific labels are visible to indicate a notable gallery or museum provenance.
Art Historical Significance
As a reproduction, its significance lies in the enduring popularity of Waterhouse's depictions of powerful, dangerous women from mythology (femme fatales). The original 1892 painting is a cornerstone of late Victorian Symbolist art, currently held in the Art Gallery of South Australia.
Notable Features
The presence of a printed signature/inscription in the lower right corner, which replicates the artist's original 1892 dating and signature found on the primary canvas.
Condition Issues
Minor scuffing on the gilt frame; potential light fading of the inks due to UV exposure; slight acidity in the paper mat causing yellowing at the bevel edge.
Conservation Recommendations
If desired for preservation, replace the current mat with acid-free museum board and use UV-protective glass to prevent further ink fading.