Madonna / Virgin of the Immaculate Conception
Ceramic wall plaque / Decorative earthenware mounting • Attributed to the workshop of Jean de Lespinasse (Nice, France), or a contemporary studio in the Vallauris region.
Style & Movement
Mid-Century Modern with Modernist-Folk and Byzantine-Revival influences.
Medium & Technique
Glazed earthenware (majolica) with sgraffito or incised black outlines. Features matte and semi-matte glazes in blue, cream, and green.
Creation Period
Circa 1950-1965 (Mid-Century Modern)
Dimensions & Format
Approximately 18 x 5 inches (ceramic tiles only); vertical rectangular format mounted on a wood backing.
Subject Description
A stylized depiction of the Virgin Mary in prayer. She is shown with a white veil and blue robe, standing over a crescent moon (symbolizing the Immaculate Conception and Woman of the Apocalypse). The figure uses simplified, elongated geometric forms characteristic of the period's sacred art movement.
Condition & Value Assessment
Condition Assessment
Fair to Good. There is a prominent horizontal fracture across the center where the two ceramic sections meet, possibly indicating a break and repair.
Estimated Market Value
$300 - $600 USD
Auction Estimate
$200 - $400 USD
Provenance History
Likely acquired as a piece of devotional decorative art from a French Riviera studio; currently mounted on a non-original or secondary wood panel with metal clips.
Art Historical Significance
This piece represents the post-war resurgence of regional ceramic arts in Southern France (Vallauris/Nice). It reflects the influence of Modernist giants like Matisse and Picasso on religious iconography, simplifying traditional forms into graphic, accessible decorative objects.
Notable Features
Distinctive elongated 'Byzantine' eyes; use of sgraffito to define the hands and facial features; characteristic 'Vallauris Green' background glaze.
Condition Issues
Major structural break across the waist of the figure; visible surface pitting in the glaze (typical of era); minor chipping on the edges of the tiles; oxidation on the metal mounting clips.
Conservation Recommendations
The horizontal break should be stabilized and potentially filled/retouched by a ceramic conservator. Display away from high-vibration areas; avoid acidic cleaning agents on the porous glaze surfaces.