Eight Reclining Figures
Print on paper • Henry Moore (British, 1898–1986)
Style & Movement
Modernism / Organic Abstraction
Medium & Technique
Color lithograph with crayon, brush, and wash effects
Creation Period
1958
Dimensions & Format
Approximately 60 x 45 cm; vertical portrait format
Subject Description
The composition features eight abstracted reclining human figures arranged in two columns. The figures are rendered with heavy, gestural black outlines over muted olive-green and grey-blue washes. The background contains a complex web of fine, scribbled lines that reference Moore's sculptural sketches and spatial exploration. The reclining figure is Moore's most iconic and recurring theme, exploring the relationship between the human body and the landscape.
Condition & Value Assessment
Condition Assessment
Fair to Good. Visible tonal shift/staining suggests previous exposure to light and acidic mounting materials.
Estimated Market Value
$3,000 - $5,000 USD
Auction Estimate
$2,500 - $4,500 USD
Provenance History
Marked 'Épreuve d'artiste' (Artist's Proof) in graphite bottom right. Signed 'Moore 58' bottom left. Given the proof status, this would have originated directly from the artist's studio or his printer (likely Curwen Press).
Art Historical Significance
Henry Moore is the most celebrated British sculptor of the 20th century. His graphic work was integral to his process, allowing him to work out sculptural ideas in two dimensions. This 1958 print represents his mature period where the 'Reclining Figure' had become a universal symbol of humanity and nature. Artist's proofs (E.A.) are highly desirable among collectors for their proximity to the artist's personal oversight.
Notable Features
Signature 'Moore 58' in pencil; French annotation 'Épreuve d'artiste' indicates it is one of a small handful of proofs outside the numbered edition. The interplay between the rhythmic, gestural foreground and the 'psychological' scribbled background is a hallmark of Moore's mid-century graphics.
Condition Issues
Significant 'time-staining' or mat burn is visible where the paper darkened around the edges of a previous frame. There is a horizontal line of discoloration across the top third of the image, possibly from old adhesive or light exposure variations.
Conservation Recommendations
Deacidification treatment by a paper conservator is recommended to arrest yellowing. The piece should be remounted using acid-free, archival materials and protected behind UV-filtering glass. Keep in a climate-controlled environment away from direct sunlight.