Tête de femme (Head of a Woman), also known as Mademoiselle Rose Caron

Print, Drypoint on paperEdgar Degas (1834–1917)

Tête de femme (Head of a Woman), also known as Mademoiselle Rose Caron

Style & Movement

Impressionism

Medium & Technique

Drypoint etching on cream-colored paper. The technique involves incising the design directly into a metal plate with a sharp needle, creating a burr that produces soft, velvety lines when printed.

Creation Period

Circa 1888-1894

Dimensions & Format

Approximate plate size 16 x 12 cm (6.3 x 4.7 in); portrait orientation.

Subject Description

The work features a half-length portrait of a woman (identified as the opera singer Rose Caron) in profile, leaning backward with her eyes closed or downturned. The composition is characterized by Degas' interest in capturing fleeting, private gestures and semi-abstracted backgrounds that suggest movement or architectural space.

Condition & Value Assessment

Condition Assessment

Good to Very Good. The print shows clear plate marks and deep ink saturation. Some minor yellowing of the paper is visible near the matting edges.

Estimated Market Value

$2,500 - $5,000 (USD) depending on the specific edition and paper quality.

Auction Estimate

$2,000 - $4,000 (USD)

Provenance History

Likely from a later edition or a posthumous printing (Atelier Degas) given the quality and paper type. Original lifetime impressions are rare; many circulated through the Durand-Ruel or Vollard galleries.

Art Historical Significance

Degas was a master of printmaking, often using it as an experimental ground for his larger paintings. This work demonstrates his ability to translate his 'snapshot' compositional style into the intaglio medium, capturing a sense of intimacy and psychological depth.

Notable Features

Distinctive drypoint burr visible in the hair and shawl; the blurred, gestural lines in the background are a hallmark of Degas’ later, more expressive style.

Condition Issues

Visible tanning/light-strike from previous acidic matting. Minor foxing potential in lower margins. Plate wear indicates this is likely a later state or posthumous pull.

Conservation Recommendations

Remount using acid-free, archival museum board and UV-protective glazing. Maintain a stable environment with 50% humidity to prevent further paper degradation.

Identified on 3/14/2026
Tête de femme (Head of a Woman), also known as Mademoiselle Rose Caron - Edgar Degas (1834–1917) | Art Identifier