Winter im Schwarzwald (Winter in the Black Forest)
Original etching (Radierung) on paper • Paul Sollmann (German, 1886–1950)
Style & Movement
German Realism / Regionalism (Heimatkunst)
Medium & Technique
Etching and aquatint on paper. The artist used fine line work for details of the chalet and trees with likely tonal aquatint to create the soft, atmospheric snow effects.
Creation Period
Early 20th Century (circa 1920-1940)
Dimensions & Format
Estimated image size 6 x 8 inches; overall framed size approximately 12 x 14 inches. Horizontal landscape format.
Subject Description
A traditional mountain farmhouse or chalet nestled in a steep, snow-covered landscape. The composition focuses on the architectural details of the timber-framed building surrounded by frost-laden evergreen and deciduous trees. The narrative captures a serene, isolated winter moment common in Southern German / Alpine iconography.
Condition & Value Assessment
Condition Assessment
Very Good. The print shows crisp plate marks and clear ink definition. There is minor evidence of age-related toning (yellowing) to the paper margins.
Estimated Market Value
USD $150 - $300
Auction Estimate
USD $100 - $250
Provenance History
The piece bears the artist's pencil signature 'Paul Sollmann' and the inscription 'Original-Radierung' (Original Etching). Likely acquired in Germany or Central Europe, representative of the popular market for high-quality regional landscape prints in the interwar period.
Art Historical Significance
Paul Sollmann was a well-known German painter and graphic artist known for his topographical accuracy and atmospheric landscapes. His works are significant as documents of German rural architecture and regional identity before the mid-20th century.
Notable Features
Features the distinct hand-signed pencil signature of the artist below the plate mark on the right. The contrast between the dark architectural shadows and the negative space of the white snow demonstrates high technical proficiency in intaglio printing.
Condition Issues
Slight oxidation or yellowing of the paper visible near the matting. Possible acid migration from the original mounting board if it is not archival.
Conservation Recommendations
It is recommended to check if the mat and backing are acid-free. Replacing with museum-grade archival matting and UV-protective glass would prevent further yellowing and protect the artist's pencil signature from fading.