Bird in the Light
Print on paper with collage elements • Attributed to Breon O'Casey (1928-2011) or a contemporary St Ives school printmaker
Style & Movement
Modern British Abstract / St Ives School influence
Medium & Technique
Intaglio printmaking (likely etching or aquatint) with carborundum, relief-embossed paper collage, and hand-coloring.
Creation Period
Late 20th century to early 21st century (c. 1990-2010)
Dimensions & Format
Approximately 50 x 60 cm; Landscape format
Subject Description
An abstract composition featuring a central horizontal band containing ten smaller squares. Each square holds a distinct calligraphic or geometric glyph, including spirals, crescents, and dots. A dark, textured circular form floats above the band, while a black undulating wave motif sits below. The background of the central band features a marbled or spider-web texture.
Condition & Value Assessment
Condition Assessment
Very Good; the print appears structurally sound and well-preserved within its frame.
Estimated Market Value
$1,500 - $3,500 USD
Auction Estimate
$1,200 - $2,500 USD
Provenance History
Likely acquired through a contemporary art gallery specializing in Modern British prints; pencil inscription visible in bottom left margin.
Art Historical Significance
The work reflects the mid-to-late 20th-century transition of the St Ives School into a more graphic, symbolic abstraction. It utilizes sophisticated printmaking techniques to achieve tactile depth, bridging the gap between flat print and three-dimensional object.
Notable Features
Distinctive use of high-relief embossed elements (blind embossing) in the top-left square and the central white crescent; the 'Bird' in the title likely refers to the dark circular motif at the top, a common minimalist signifier in St Ives art.
Condition Issues
Possible minor undulation of the paper support due to humidity-sensitive collage elements; light reflection on the glazing suggests the work is framed under standard glass.
Conservation Recommendations
Ensure the work is mounted using acid-free materials; replace standard glass with UV-filtering acrylic to prevent fading of the yellow and red pigments.