Phenomena (Specific Title Unknown)
Painting on paper • Paul Jenkins (American, 1923–2012)
Style & Movement
Abstract Expressionism / Color Field Painting / Lyrical Abstraction
Medium & Technique
Watercolor or fluid acrylic on heavy wove paper, utilizing controlled pouring and bleeding techniques with wet-on-wet application.
Creation Period
Circa 1970-1980
Dimensions & Format
Approximately 30 x 22 inches (76 x 56 cm); Portrait orientation
Subject Description
A non-objective composition featuring translucent, overlapping veils of color. A central vertical void is surrounded by saturated washes of yellow, violet, and green, anchored by a dark, dense gestural mark at the bottom center. The work explores the optical properties of light and the fluid movement of pigment.
Condition & Value Assessment
Condition Assessment
Very Good; the paper appears flat with vibrant color saturation and no evidence of significant foxing or moisture damage.
Estimated Market Value
$5,000 - $12,000 USD (depending on scale and authentication)
Auction Estimate
$4,000 - $8,000 USD
Provenance History
The presence of a visible signature suggests a primary market purchase from a gallery or direct from the artist's studio; frequently associated with New York or Paris galleries.
Art Historical Significance
Jenkins is a crucial figure in the transition between Abstract Expressionism and Color Field painting. His 'Phenomena' series, which this piece belongs to, is noted for its rejection of the brush in favor of pouring paint to create ephemeral, light-filled compositions reflecting a Zen-like approach to chance and control.
Notable Features
Features the artist's distinctive cursive signature in the lower right quadrant; characterized by the 'broken' or 'shattered' light effect produced by his unique ivory knife manipulation of wet pigments.
Condition Issues
Possible minor deckled edge irregularities (inherent to hand-made paper); slight yellowing of the paper at the extreme edges common in older mountings; minor reflections indicate it is glazed.
Conservation Recommendations
Ensure the work is mounted using acid-free, reversible archival hinges. UV-protective museum glass is recommended to prevent fading of the sensitive dyes/pigments. Maintain stable humidity to prevent paper rippling.