April - Twelve Months of Flowers

Hand-colored engraving on paperRobert Furber (originator), after paintings by Pieter Casteels; originally engraved by Henry Fletcher.

April - Twelve Months of Flowers

Style & Movement

English Baroque / Botanical Illustration (Natural History)

Medium & Technique

Copperplate engraving with subsequent hand-coloring in watercolor. Technique involves fine line hatching and stippling for tonal depth.

Creation Period

Original set published in 1730; this appears to be a 20th-century decorative reproduction or restrike.

Dimensions & Format

Portrait orientation; approximately 16 x 12 inches (standard for this series).

Subject Description

A complex floral arrangement in an ornate classical urn resting on a stone plinth. Each flower is numbered and corresponds to a taxonomical list at the bottom, including varieties like 'Scarlet single Anemone' and 'Caper Bush'.

Condition & Value Assessment

Condition Assessment

Good. Shows light aging consistent with decorative prints; paper appears slightly toned with no major foxing or tears visible.

Estimated Market Value

$50 - $150 (if a modern reproduction); $800 - $1,500 (if a genuine 1730 hand-colored original).

Auction Estimate

$40 - $100 for a single decorative print.

Provenance History

Originally commissioned by nurseryman Robert Furber as a seed catalog; common in English country house interiors. No specific ownership stamps visible; likely acquired through a print seller or antique shop.

Art Historical Significance

Furber's 'Twelve Months of Flowers' was a groundbreaking intersection of commercial horticulture and fine art, serving as one of the earliest illustrated plant catalogs produced in England.

Notable Features

Features the distinctive numbered key at the base with elegant cursive script labeling specific botanical species available in the month of April.

Condition Issues

Minor yellowing of the paper stock; slight color fading from UV exposure; minor rippling near the frame edge.

Conservation Recommendations

Remount using acid-free archival matting; replace glass with UV-protective museum glass to prevent further pigment fading.

Identified on 4/5/2026