Study of Horses (possibly related to 'Low Tide')

Work on paper, likely a monotype or watercolor with graphiteAttributed to Maurice Brazil Prendergast (American, 1858–1924)

Study of Horses (possibly related to 'Low Tide')

Style & Movement

Post-Impressionism / American Modernism / The Eight (Ashcan School)

Medium & Technique

Mixed media including watercolor, graphite, and oil wash. The technique reflects a monotype process common in the artist's practice, characterized by 'puddled' applications of color and thick, expressive outlines.

Creation Period

Circa 1895-1905

Dimensions & Format

Approximately 10 x 14 inches; horizontal landscape format

Subject Description

A close-up view of two horses, one reclining and one standing, rendered in a mosaic-like, rhythmic composition. The style is typical of Prendergast's beach or park scenes where figures and animals are simplified into color patches and bold contours.

Condition & Value Assessment

Condition Assessment

Fair to Good. There is visible surface texture that suggests possible moisture exposure or the inherent roughness of the paper/monotype process. Marginal fading is present.

Estimated Market Value

$15,000 - $40,000 (pending authentication as an original work on paper)

Auction Estimate

$10,000 - $25,000

Provenance History

Unknown. The 'Prendergast' signature in the lower margin is consistent with known examples, but a full provenance trace would be required to verify authenticity due to the high volume of later replicas.

Art Historical Significance

Maurice Prendergast was a pioneer of American Modernism, being one of the first to apply a Post-Impressionist aesthetic to American subjects. His monotypes are considered some of the finest examples of the medium in American art history.

Notable Features

Distinctive lower-left signature in the artist's blocky, handwritten style. The mosaic-like application of color is a hallmark of his 'patchwork' aesthetic.

Condition Issues

Potential surface abrasion, slight yellowing of the paper support, and softening of the pigment edges which may be due to age or light exposure.

Conservation Recommendations

Should be kept under UV-protective glass. Professional cleaning to address surface grime or acidity in the paper is recommended. Acid-free matting is essential to prevent further staining.

Identified on 3/21/2026