Untitled (Biomorphic Abstraction)
Print, likely a Color Screenprint or Lithograph on heavy wove paper • Attributed to an artist in the circle of Mid-Century Abstract Modernism; style reflects the influence of figures like Wassily Kandinsky or later American Color Field printmakers.
Style & Movement
Mid-Century Modern / Lyrical Abstraction / Geometric Abstraction
Medium & Technique
Screenprinting (Serigraphy) or Lithography; characterized by layered, translucent ink overlays that create secondary colors through overlap and flat monochromatic planes.
Creation Period
Late 20th Century, circa 1970-1985
Dimensions & Format
Approximately 24 x 30 inches; Landscape format; Square-ish rectangular composition within a white border.
Subject Description
Non-representational composition consisting of overlapping biomorphic and geometric shapes. It features translucent planes of red, blue, yellow, and green, with circular motifs suggesting a sense of celestial or microscopic movement and equilibrium.
Condition & Value Assessment
Condition Assessment
Good/Very Good; the colors appear vibrant with minimal apparent fading, though there is a slight ripple in the paper known as cockling, typical of framed works on paper.
Estimated Market Value
USD $800 - $1,500 (depending on artist identification)
Auction Estimate
USD $500 - $1,000
Provenance History
Unknown; likely acquired from a contemporary art gallery or private collection in the late 20th century. Markings at bottom left (ed. 14) and bottom right (signature) suggest a limited edition series.
Art Historical Significance
Represents the post-war shift toward expressive abstraction and technical experimentation in printmaking, emphasizing the interaction of color, light, and transparency.
Notable Features
Includes a limited edition notation (ed. 14) and a pencil signature at the lower right. The layering of inks is particularly skilled, creating third-color values (e.g., green from blue/yellow) through physical transparency.
Condition Issues
Minor paper buckling/cockling visible under the glass; potential light acid burn from non-archival mounting if not professionally matted.
Conservation Recommendations
Recommend inspection of mounting to ensure acid-free materials; use of UV-protective glass to prevent pigment degradation; controlled humidity to reduce paper waving.