Sleeping Cupid (After Caravaggio)

Painting on canvas, circular tondo format set within a square frameFollower or Copyist after Michelangelo Merisi da Caravaggio

Sleeping Cupid (After Caravaggio)

Style & Movement

Baroque (Caravaggesque / Tenebrism)

Medium & Technique

Oil on canvas; employs chiaroscuro and sfumato to define the form and soft transitions of the skin against a dark ground

Creation Period

Late 16th to early 17th century based on style, though likely a later period copy (18th-19th century) based on the surface smoothness and frame style

Dimensions & Format

Approximately 40-50 cm diameter; Tondo (circular) format positioned within a square Baroque-style gilded frame

Subject Description

Depiction of a sleeping Cupid, following Caravaggio's 1608 original. The figure is shown with wings, resting his head on his hand atop a red cushion, symbolizing the temporary cessation of desire or the vulnerability of love.

Condition & Value Assessment

Condition Assessment

Good; surface appears relatively clean with some visible craquelure and minor surface abrasions consistent with age

Estimated Market Value

$2,000 - $5,000 (as a high-quality decorative period copy)

Auction Estimate

$1,500 - $3,500

Provenance History

Unknown; inscription 'Michelangelo I ferisi da Calayaggio' suggests an old inventory or attribution label attempting to link the work to Caravaggio

Art Historical Significance

A testament to the enduring popularity of Caravaggio's themes during the 17th century and beyond; illustrates the practice of copying masterworks for private collectors

Notable Features

Distinctive tondo format within an ornate Rococo-style revival frame; unusual phonetic spelling of the artist's name in the owner-provided information suggesting a non-Italian derivation

Condition Issues

Fine web-like craquelure across the flesh tones; darkening of varnish; minor loss of detail in the darker feathered areas of the wings

Conservation Recommendations

Professional cleaning to remove oxidized varnish; inspection for structural stability of the canvas; display in a climate-controlled environment away from direct UV light

Collector Notes

Michelangelo I ferisi da Calayaggio. Late 16th early 17th

Identified on 6/22/2026