Jazz and North Beach (also known as the North Beach Mural)
Public art, large-scale outdoor wall mural • Bill Weber (American, contemporary muralist)

Style & Movement
Contemporary Realism / Trompe l'oeil / Public Community Muralism
Medium & Technique
Exterior acrylic and oil-based mural paints on masonry/stucco; utilizing trompe l'oeil techniques and illustrative realism.
Creation Period
Original version completed in 1987; restored and updated in 2005 and 2012.
Dimensions & Format
Approximately 40 x 60 feet; architectural portrait format spanning the upper stories of a three-story building.
Subject Description
The mural celebrates the cultural heritage of San Francisco's North Beach neighborhood. It features prominent figures like Benny Goodman and Teddy Wilson (representing the jazz era), scenes of Telegraph Hill and Coit Tower, traditional fishing boats (referencing the Italian heritage of the wharf), and the artist himself at the bottom left. The composition integrates local landmarks like the Moulin Rouge and the Columbus Tower into a montage of music and maritime life.
Condition & Value Assessment
Condition Assessment
Fair to Good; showing signs of environmental weathering including pigment fading, minor stucco cracking, and surface grime consistent with an urban exterior setting.
Estimated Market Value
Non-marketable/Public Property ($250,000 - $400,000 replacement value for commission and labor)
Auction Estimate
Not applicable (permanent site-specific public installation)
Provenance History
Commissioned for the 606 Broadway building in San Francisco's Chinatown/North Beach border. It is a permanent fixture of the municipal streetscape.
Art Historical Significance
A landmark of San Francisco street art, it serves as a visual document of the City's 'Beat Generation' and jazz history. It is significant for its integration into the architectural facade, using windows as part of the composition.
Notable Features
Features the artist's URL (BillWeberMuralist.com) incorporated into the piano player's coat; includes a self-portrait of the artist with a palette; and seamlessly wraps around the windows of the building to create a 3D illusion.
Condition Issues
Visible paint loss near the lower right corner, vertical weathering streaks, localized peeling (efflorescence) from moisture behind the stucco, and UV-induced desaturation of blues and reds.
Conservation Recommendations
Periodic cleaning of urban pollutants, application of a non-yellowing UV-resistant sacrificial coating, and localized 'in-painting' by a professional mural restorer using high-lightfastness pigments.