Two Sisters (or Two Faces)
Limited Edition Print on Heavy Paper • Peter Max (German-American, born 1937)
Style & Movement
Neo-Expressionism / Pop Art / Psychedelic Art
Medium & Technique
Serigraph (Silk Screen) with possible hand-painted accents; utilizing vibrant flat-color overlays and fluid line work
Creation Period
Late 20th Century, circa 1990-1999
Dimensions & Format
Approximately 20 x 24 inches (image size); Landscape orientation; professionally framed with a layered mat and gold-gilt scalloped frame.
Subject Description
Composition featuring two profile views of female faces with large, stylized, and multi-colored hair. The use of bold primary and secondary colors creates a sense of cosmic energy and optimism common in the artist's work after his 'Cosmic 60s' period.
Condition & Value Assessment
Condition Assessment
Excellent; the colors remain saturated and vibrant, and the paper appears flat without signs of cockling or UV fading.
Estimated Market Value
$1,500 - $2,500 USD
Auction Estimate
$800 - $1,200 USD
Provenance History
Numbered '102/350' at lower left with an accompanying blind stamp; likely purchased through a commercial gallery or a cruise ship art auction (such as Park West Gallery), common for the artist's distribution.
Art Historical Significance
Peter Max is a significant figure in American Pop Art, known for defining the visual aesthetic of the 1960s and 70s. This piece represents his later, more gestural Neo-Expressionist phase where he transitioned from tightly planned psychedelic graphics to looser, more painterly forms.
Notable Features
Includes the artist's iconic fluid signature at bottom right; features a clear edition number (102/350) and a circular embossed blind stamp (left) which authenticates the print run.
Condition Issues
No visible foxing, tearing, or staining. Minor dust accumulation under the glass and slight wear to the gilt frame edges are noteable but negligible.
Conservation Recommendations
Ensure the print is mounted using acid-free archival materials. Keep away from direct sunlight to prevent the fading of red and yellow pigments. Consider upgrading to UV-protective museum glass.