The Death of the Virgin (Dormition of the Mother of God)
Painting on oval canvas, likely intended for a private chapel or as a bozzetto • Nicolò Grassi (1682-1748)
Style & Movement
Venetian Late Baroque / Early Rococo
Medium & Technique
Oil on canvas, utilizing rapid brushstrokes, sfumato for the celestial light, and a dark palette typical of late Venetian Baroque Venetian tenebrism
Creation Period
Circa 1720-1740
Dimensions & Format
Small to medium scale, oval format (approx. 60 x 50 cm including frame)
Subject Description
The scene depicts the Virgin Mary on her deathbed surrounded by the Apostles. The composition is centered on the reclining figure of Mary, with Saint Peter and Saint John likely identifiable among the grieving figures. Above, cherubims emerge from a break in the dark clouds, symbolizing the transition to the Assumption. The atmosphere is solemn and mystical, emphasized by dramatic lighting.
Condition & Value Assessment
Condition Assessment
Good to Fair. The canvas appears to have aged naturally, with some darkening of the varnish and possible minor abrasions.
Estimated Market Value
$8,000 - $12,000 USD
Auction Estimate
$6,000 - $9,000 USD
Provenance History
Likely originated from a Venetian or Friulian private collection or ecclesiastical setting. No visible stamps or labels are evident on the front surface, suggesting a long-term private ownership.
Art Historical Significance
Grassi was a significant exponent of the Venetian 'pittori tenebrosi' who transitioned toward the lighter palettes of the Rococo. This work demonstrates his characteristic handling of light and spiritual subjects, reflecting the influence of his mentor Alessandro Magnasco.
Notable Features
The distinctive oval format and the 'sketch-like' energy of the brushwork are hallmarks of Grassi's mature style. The use of a vibrant red pigment in the foreground figure provides a focal point against the muted, atmospheric background.
Condition Issues
Visible surface grime, yellowish varnish oxidation, and minor craquelure throughout the darker pigment areas. Potential slight loss of definition in the peripheral figures due to pigment darkening.
Conservation Recommendations
Professional cleaning and varnish removal to restore the original luminescence of the highlights. Examination under UV light for previous retouching and stabilization in a climate-controlled environment.
Collector Notes
Nicolò Grassi (1682-1748)