Tête du Christ (from L'Ancien Testament / Illustrations to the Old Testament)
Print on paper • Marc Chagall (1887–1985)
Style & Movement
Modernist / Expressionist with Narrative Surrealist elements
Medium & Technique
Etching and drypoint on heavy paper. Technique involves linear cross-hatching and deep drypoint burr to create intense tonal contrasts.
Creation Period
circa 1931-1939 (published later in 1956)
Dimensions & Format
Image approximately 11 x 9 inches; portrait orientation within a rectangular plate mark.
Subject Description
A figure, often identified as a Christ figure in the context of the Bible series, appearing in a meditative or suffering pose. The composition uses high contrast between light skin and deep, scratchy backgrounds to evoke spiritual intensity.
Condition & Value Assessment
Condition Assessment
Good. The paper shows visible signs of age including minor spotting (foxing) along the margins and light tanning (acidification) from the previous matting.
Estimated Market Value
$1,500 - $3,500 (depending on whether it is a hand-signed edition or from the unsigned edition of 275)
Auction Estimate
$1,000 - $2,500
Provenance History
Likely from the 'Bible' series published by Tériade in 1956. Most such prints entered the market through individual sales of complete portfolios or galleries specializing in 20th-century masters.
Art Historical Significance
One of 105 etchings from Chagall's 'Bible' suite, a monumental project commissioned by Ambroise Vollard. It represents Chagall’s deep personal and cultural exploration of Judeo-Christian themes using his unique primitive-modernist vocabulary.
Notable Features
Features the characteristic deep blacks of Chagall's drypoint work. The visible plate mark confirms it is a genuine hand-pulled print rather than a modern offset reproduction.
Condition Issues
Visible foxing (small brown spots) on the left margin; slight discoloration and darkening of the paper edges; wave in the paper suggesting it might not be mounted archivally.
Conservation Recommendations
Recommend de-acidification treatment by a professional paper conservator. Re-frame using acid-free museum-grade matting and UV-protective glass to prevent further yellowing and foxing.
Collector Notes
Real or print