Andante II
Limited edition print (serigraph/screenprint) on paper • Guillaume Azoulay (French-born, American-based, b. 1949)
Style & Movement
Modern Linear Expressionism; characterized by the use of intricate, topographical-like lines to define organic forms and capture kinetic energy.
Medium & Technique
Color serigraphy (screen printing) characterized by precise linear patterns, clean ink application, and a color gradient background. The technique uses overlapping fine black lines to create volume and movement (linear expressionism).
Creation Period
Circa 1970s-1980s
Dimensions & Format
Approximately 22 x 30 inches (image), 30 x 40 inches (framed); Landscape orientation.
Subject Description
Three dynamic galloping horses rendered through dense, swirling line work. The composition features a dramatic orange and grey gradient background. The lines suggest musculature and mane movement, with a mesh of intersecting straight lines in the foreground and background creating a sense of depth and vibration. The title 'Andante' refers to a moderate musical tempo, contrasting with the visual intensity of the equines.
Condition & Value Assessment
Condition Assessment
Very Good; the print appears well-preserved under glass with no immediate signs of foxing or acidity, though slight paper waving is visible.
Estimated Market Value
$800 - $1,500 USD (retail/gallery prices)
Auction Estimate
$400 - $700 USD
Provenance History
Likely acquired via a commercial gallery or through the artist's prolific distribution in the late 20th century. Left margin displays edition number 193/325; right margin bears the artist's pencil signature.
Art Historical Significance
Azoulay is a self-taught master of line, whose work is held in the collections of the Louvre and the White House. He is essentially the progenitor of this specific topographical line style. 'Andante II' is a classic example of his equine series, which is his most sought-after subject matter.
Notable Features
Includes the artist's characteristic 'optical' line technique; hand-signed in pencil lower right; titled 'Andante II' and numbered 193/325 lower left. The contrast between the rigid geometric background lines and fluid organic body lines is a hallmark of the artist's best work.
Condition Issues
Potential minor Ripling/cockling of the paper due to humidity or mounting; possible light fading if exposed to UV over time (though colors remain vibrant). Secondary frame wear possible.
Conservation Recommendations
Ensure the artwork is mounted using acid-free, archival materials. UV-protective museum glass is recommended to prevent the orange gradient from fading. Maintain a stable environment (50% RH).