Pont Neuf, Paris (The Bridge and Notre Dame)
Print - Intaglio Etching on paper • Caroline Helena Armington (Canadian, 1875–1939)

Style & Movement
Traditional Realism / Etching Revival; characterized by topographical accuracy and romanticized European cityscapes.
Medium & Technique
Etching on wove paper; likely created using a metal plate with acid-bite, focusing on fine-line cross-hatching and varied tonal depth.
Creation Period
Early 20th Century (circa 1910-1930)
Dimensions & Format
Estimated image size 8x10 inches; landscape format within a rectangular frame.
Subject Description
A view of the Seine in Paris featuring the Pont Neuf bridge with a barge passing underneath. The towers of Notre-Dame Cathedral are visible in the background profile. Figures (likely fishermen) are depicted on the quay in the foreground, providing a sense of scale and everyday Parisian life.
Condition & Value Assessment
Condition Assessment
Poor - Significant biological and environmental damage.
Estimated Market Value
USD $50 - $150 (Significant discount due to condition)
Auction Estimate
USD $30 - $80
Provenance History
Signature visible in the lower right margin ('Caroline Armington'). No specific stamps or gallery labels are visible, but typical of works collected by North Americans traveling in Europe during the interwar period.
Art Historical Significance
Armington was a notable Canadian expatriate artist known for her prolific output of Parisian scenes. Her work is held in major collections like the British Museum and the National Gallery of Canada, representing the classic 20th-century fascination with Old World architecture.
Notable Features
Hand-signed signature in pencil/ink lower right; notable for its detailed architectural rendering and atmospheric depiction of the Seine's activity.
Condition Issues
Severe foxing (brown spotting) throughout the paper support; major water staining and tide lines in the upper left and lower center; yellowing/toning from acidic matting; visible wavy cockling of the paper due to moisture.
Conservation Recommendations
Requires professional deacidification and cleaning by a paper conservator to remove fungal growth (foxing). The current acidic mat and backing must be replaced with museum-quality acid-free materials and UV-protective glass.