Abstract Landscape (likely Canadian prairie or shoreline subject)
Mixed media painting on board or heavy paper • Bill (William) Suffield (Canadian, 20th century)
Style & Movement
Mid-Century Modernism / Abstract Expressionism with a focus on regional landscape abstraction
Medium & Technique
Mixed media involving acrylic or oil paint, ink, and collage elements. Techniques include impasto, scumbling, and the application of textured paper or fabric overlays visible in the upper sections.
Creation Period
1969 (dated bottom left)
Dimensions & Format
Estimated 12 x 16 inches; Landscape orientation
Subject Description
An expressive, semi-abstract representation of a landscape featuring horizontal bands of color suggesting water, earth, and sky. The composition utilizes heavy textures and overlapping planes to evoke a sense of rugged terrain.
Condition & Value Assessment
Condition Assessment
Good. The paint film appears stable, though there is visible age-appropriate surface grime and potential slight yellowing of the varnish or adhesive used for the collage elements.
Estimated Market Value
$400 - $800 USD
Auction Estimate
$300 - $600 USD
Provenance History
Likely acquired in Western Canada (Manitoba/Saskatchewan region) late 1960s or early 1970s. Signed 'W. Suffield '69' lower left.
Art Historical Significance
A representative example of late 1960s Canadian regional abstraction. Bill Suffield was part of the vibrant Winnipeg art scene; such works reflect the era's transition from traditional landscape to textural, emotive abstraction.
Notable Features
Distinctive 'W. Suffield '69' signature in a cursive script. Notable use of grid-like textured collage materials in the upper background to create architectural or topographical interest.
Condition Issues
Visible texture irregularities are intentional to the mixed media process; however, there is minor edge wear where the board meets the matting and potential light foxing on the paper elements.
Conservation Recommendations
Professional cleaning to remove surface dust. Re-framing with acid-free archival matting and UV-protective glass is recommended to prevent further discoloration of the mixed media components.
Collector Notes
Can’t remember