The Immaculate Conception (after Bartolomé Esteban Murillo)

Painting on panel or copperFollower of Bartolomé Esteban Murillo; potentially Spanish or Colonial School

The Immaculate Conception (after Bartolomé Esteban Murillo)

Style & Movement

Baroque Revival / Spanish Golden Age influence

Medium & Technique

Oil technique utilizing soft SFUMATO for atmospheric effects, delicate glazing for the textiles, and a luminous palette for the divine light surrounding the figure.

Creation Period

18th to 19th Century

Dimensions & Format

Small-scale devotional format, approximately 12 x 8 inches; portrait orientation

Subject Description

The Virgin Mary is depicted in the traditional iconography of the Immaculate Conception, standing upon a crescent moon above a darkened terrestrial landscape. She is clothed in a white tunic and a blue mantle, gazing upward in a state of religious ecstasy toward a golden celestial light filled with soft-focus cherubic figures.

Condition & Value Assessment

Condition Assessment

Fair to Good; shows signs of age-related darkening and surface grime, with some loss of detail in the background.

Estimated Market Value

$1,500 - $3,500 USD

Auction Estimate

$1,000 - $2,000 USD

Provenance History

Likely a private devotional piece from a European or Latin American Catholic collection; housed in a later neoclassical-style architectural frame.

Art Historical Significance

This work demonstrates the enduring legacy of Murillo's 'Immaculada' iconography, which became the standard for the subject throughout the Catholic world for centuries after his death.

Notable Features

The piece is noteworthy for its architectural aedicular frame, which mimics classical columns and entablatures, creating a shrine-like presentation.

Condition Issues

Significant surface yellowing of the varnish layer, minor craquelure, and possible abrasion to the upper-left corner near the putti. The frame appears to be a modern or 20th-century revival addition.

Conservation Recommendations

Professional cleaning and varnish removal to restore the original luminosity of the celestial background; UV light inspection to check for overpainting.

Identified on 5/30/2026