Cosmic Tapestry of Time and Spirit
Original signed print or mixed media work on paper • Brenda Shirley (signed in margins)

Style & Movement
Contemporary Psychedelic / Visionary Art; also exhibiting traits of Neo-Surrealism and Outsider Art influences.
Medium & Technique
Likely high-quality archival ink (giclée) or lithographic print on heavyweight paper, potentially enhanced with hand-signed ink signature in the lower right margin.
Creation Period
Late 20th to early 21st century (circa 1990–2010)
Dimensions & Format
Approximately 18 x 24 inches (image size); portrait orientation within a rectangular landscape-style frame.
Subject Description
A complex, horror vacui composition featuring a central sun and earth, surrounded by a dense narrative of global and metaphysical symbols including an hourglass, Aztec/Mayan deities, human hands reaching upward from a base of skulls, a blindfolded figure, and various zoomorphic elements. It explores themes of mortality, enlightenment, and the interconnectedness of humanity and the cosmos.
Condition & Value Assessment
Condition Assessment
Good to Very Good; the print appears bright and well-pigmented with no visible foxing or moisture damage, though reflection in glass obscures some fine surface detail.
Estimated Market Value
US$150 – US$400 (as a signed contemporary print with niche collectibility)
Auction Estimate
US$100 – US$300
Provenance History
Acquired as a gift directly from the artist. Currently held in a private collection.
Art Historical Significance
Representing the late 20th-century trend toward highly detailed spiritual and visionary artwork, this piece reflects the fusion of indigenous motifs with psychedelic aesthetics characteristic of West Coast visionary movements.
Notable Features
The most significant feature is the clear, fluid-hand signature in red/black ink in the lower right, which authenticates the piece according to the owner's provenance. The composition is notable for its extreme density and lack of negative space.
Condition Issues
Minor frame abrasions; potential light fading if displayed in direct UV light (common for prints of this era); slight buckling of the paper under the mat.
Conservation Recommendations
Ensure the work is mounted behind UV-protective museum glass and acid-free matting to prevent future yellowing and ink degradation. Avoid placement in high-humidity or direct sunlight areas.
Collector Notes
Artist Brenda Shirley gift from the artist.