Swaying Dancer (Dancers in Old Gold)
Original: Pastel on paper. Image shown: Likely a photomechanical reproduction or vintage print. • Edgar Degas (1834–1917)
Style & Movement
Impressionism
Medium & Technique
The original uses pastel with a heavy application of pigment. The reproduction appears to be a color print on paper or thin cardstock, likely offset lithography or a similar early 20th-century printing process.
Creation Period
Original created circa 1888. The physical object shown appears to be a mid-20th-century decorative reproduction.
Dimensions & Format
Original: 70 x 48 cm. This reproduction appears to be a smaller commercial format, approximately 10 x 8 inches, presented in a portrait orientation.
Subject Description
A group of ballet dancers on stage viewed from a side-angle balcony perspective. Degas focuses on the 'behind-the-scenes' tension and movement rather than formal performance. He uses a dynamic, diagonal composition and 'Old Gold' hues to capture the artificial light of the theater.
Condition & Value Assessment
Condition Assessment
Fair to Good. There are visible surface abrasions, particularly in the upper right-hand corner of the image, and signs of yellowing/tanning on the surrounding matting.
Estimated Market Value
$20 - $50 (USD)
Auction Estimate
$10 - $30 (USD)
Provenance History
The original is in the collection of the Thyssen-Bornemisza Museum. This specific physical print lacks visible provenance markers and likely originated as a mass-market gallery or museum gift shop reproduction.
Art Historical Significance
Degas is a seminal figure in Impressionism, famous for his exploration of the human figure in motion. This particular work is significant for its experimental perspective and the way it captures the ephemeral nature of stage lighting and costume.
Notable Features
The most notable feature is the high-angle, cropped viewpoint, which reflects Degas's interest in Japanese ukiyo-e prints and early photography.
Condition Issues
Visible surface scratches in the darker areas of the print; minor buckling or rippling of the paper suggests it may not be mounted to an acid-free backing; significant discoloration of the mounting board (acid burn).
Conservation Recommendations
Recommend removing the print from the acidic matting and framing it with archival museum-grade materials. Keep away from direct UV light to prevent further fading of the ink.