The Large Spiral (Mors-Spirale)
Surrealist photomontage and collage on paper • László Moholy-Nagy (1895–1946)
Style & Movement
Bauhaus / Constructivism / New Vision (Neues Sehen)
Medium & Technique
Photomontage using gelatin silver print cut-outs, repositioned on a neutral background with hand-drawn ink lines and combined with a landscape photograph
Creation Period
circa 1924
Dimensions & Format
Approximately 25 x 20 cm; Vertical portrait orientation
Subject Description
A dynamic composition featuring 35 numbered chronological figures of a male ice skater following a spiral path. The work explores the representation of motion in a static medium, set against a dramatic, desaturated alpine mountain background. It functions as a 'photoplastic', bridging the gap between photography and graphic design.
Condition & Value Assessment
Condition Assessment
Good/Very Good; showing characteristic age-toning of the paper support and some slight silvering of the photographic elements.
Estimated Market Value
$150,000 - $300,000 USD (original vintage collage)
Auction Estimate
$100,000 - $250,000 USD
Provenance History
Likely originated from the artist's personal archive or Bauhaus collection; typically passed through estate or specialized galleries focusing on 20th-century avant-garde.
Art Historical Significance
A seminal work in the history of experimental photography. Moholy-Nagy's 'photoplastics' were revolutionary in their use of montage to express complex spatial and temporal ideas. This piece is a primary example of his pedagogical approach at the Bauhaus, emphasizing the camera as a tool for expanding human perception.
Notable Features
Incorporation of numerical sequencing (1-35) to indicate a time-lapse effect; the hybrid nature of the work combining documentary photography with the abstract geometric form of the spiral.
Condition Issues
Potential for minor oxidation of photographic emulsions, slight yellowing of the adhesive used in the collage, and edge wear to the mounting board.
Conservation Recommendations
Storage in museum-grade, acid-free mounting; UV-filtering glass; stable temperature and humidity (50% RH) to prevent lifting of the collage elements.