George Sand and Alfred de Musset at Venice (George Sand et Alfred de Musset à Venise)
Print on paper; likely a lithograph or high-quality photogravure duplication of an original drawing. • Jean Cocteau (French, 1889–1963). Inscribed with signature in the plate.
Style & Movement
Mid-century Modern / Surrealist-influenced Fauvism. Characterized by Cocteau's signature 'line' that prioritizes movement and psychological silhouette over anatomical realism.
Medium & Technique
Lithograph or print after a charcoal/graphite drawing. Employs gestural, rapid hatching and cross-hatching to create form and shadow, typical of the artist's poetic, linear style.
Creation Period
The original drawing dates to circa 1955 (as indicated by the inscription date); this printed edition likely dates from the 1950s to 1960s.
Dimensions & Format
Estimated 30 x 40 cm (excluding matting). Landscape format, under glass in a gilded wood frame.
Subject Description
A stylized depiction of the famous 19th-century romantic couple, writer George Sand and poet Alfred de Musset, during their ill-fated trip to Venice in 1833. De Musset is shown in a top hat with angular features, while Sand is suggested to the left. A caduceus-like symbol or ornate gondola post is visible in the foreground.
Condition & Value Assessment
Condition Assessment
Good to Fair. The paper shows visible signs of acid-induced discoloration (yellowing) and light-toning, consistent with age.
Estimated Market Value
$400 – $800 USD
Auction Estimate
$300 – $600 USD
Provenance History
The print features a handwritten edition number '139/150' in the bottom right and a centered number '16'. The inscription 'Jean Cocteau 1955' is part of the original image matrix.
Art Historical Significance
Illustrates Cocteau's lifelong fascination with 19th-century literary figures and the 'cult of the poet.' As a polymath, his drawings often served as visual extensions of his literary and cinematic works, representing the aesthetic of the 'École de Paris'.
Notable Features
Features the hand-numbered edition '139/150' and a dedicated inscription in the plate mentioning George Sand and Alfred de Musset. The rapid, nervous energy of the linework is quintessentially Cocteau.
Condition Issues
Generalized yellowing of the paper support; potential foxing obscured by glass; slight waviness of the paper suggests it may not be mounted to acid-free backing.
Conservation Recommendations
Recommend removal from current frame to inspect for acidic backing. Re-matting with archival, acid-free materials and UV-protective glass is advised to prevent further darkening.