Antoinette (The White Cloak)

Framed print, likely a lithograph or photogravure reproduction on paperAfter John White Alexander (American, 1856–1915)

Antoinette (The White Cloak)

Style & Movement

American Tonalism / Art Nouveau influence

Medium & Technique

Mechanical printing technique (commercial lithography) reproducing an original oil painting. The original by Alexander depicts soft, tonalist glazes.

Creation Period

Early 20th century, circa 1910-1925

Dimensions & Format

Approximately 12 x 20 inches; vertical rectangular (portrait) format

Subject Description

A portrait of a young woman wearing a large, wide-brimmed hat with pink floral accents and a voluminous white or cream cloak. Her hands are clasped in her lap, and she gazes directly at the viewer with a serene expression. The composition focuses on elegant flowing lines and a muted color palette characteristic of Alexander's 'fine lady' portraits.

Condition & Value Assessment

Condition Assessment

Fair to Good; the print shows noticeable fading (UV exposure) and slight yellowing/toning of the paper. Frame exhibits minor scuffs.

Estimated Market Value

US $40 - $100

Auction Estimate

US $30 - $75

Provenance History

Likely a decorative home furnishing piece purchased from a department store or gallery in the early-to-mid 20th century. No specific labels visible in the image.

Art Historical Significance

Based on a popular work by John White Alexander, a leading figure in American Tonalism. His work bridged the gap between traditional portraiture and Art Nouveau, emphasizing mood and decorative arrangement over strict realism.

Notable Features

The piece is housed in a period wood frame that appears contemporary to the age of the print; the soft-focus quality is a hallmark of the reproduction style of the 1920s.

Condition Issues

Visible surface fading, paper oxidation (yellowing), possible minor moisture rippling under the glass, and glare from a likely non-archival glass covering.

Conservation Recommendations

Replace existing glass with UV-protective museum glass; use acid-free archival matting to prevent further 'burn' or toning; keep out of direct sunlight.

Identified on 5/2/2026