Antoinette (The White Cloak)
Framed print, likely a lithograph or photogravure reproduction on paper • After John White Alexander (American, 1856–1915)

Style & Movement
American Tonalism / Art Nouveau influence
Medium & Technique
Mechanical printing technique (commercial lithography) reproducing an original oil painting. The original by Alexander depicts soft, tonalist glazes.
Creation Period
Early 20th century, circa 1910-1925
Dimensions & Format
Approximately 12 x 20 inches; vertical rectangular (portrait) format
Subject Description
A portrait of a young woman wearing a large, wide-brimmed hat with pink floral accents and a voluminous white or cream cloak. Her hands are clasped in her lap, and she gazes directly at the viewer with a serene expression. The composition focuses on elegant flowing lines and a muted color palette characteristic of Alexander's 'fine lady' portraits.
Condition & Value Assessment
Condition Assessment
Fair to Good; the print shows noticeable fading (UV exposure) and slight yellowing/toning of the paper. Frame exhibits minor scuffs.
Estimated Market Value
US $40 - $100
Auction Estimate
US $30 - $75
Provenance History
Likely a decorative home furnishing piece purchased from a department store or gallery in the early-to-mid 20th century. No specific labels visible in the image.
Art Historical Significance
Based on a popular work by John White Alexander, a leading figure in American Tonalism. His work bridged the gap between traditional portraiture and Art Nouveau, emphasizing mood and decorative arrangement over strict realism.
Notable Features
The piece is housed in a period wood frame that appears contemporary to the age of the print; the soft-focus quality is a hallmark of the reproduction style of the 1920s.
Condition Issues
Visible surface fading, paper oxidation (yellowing), possible minor moisture rippling under the glass, and glare from a likely non-archival glass covering.
Conservation Recommendations
Replace existing glass with UV-protective museum glass; use acid-free archival matting to prevent further 'burn' or toning; keep out of direct sunlight.