Botanical Study of Leaves; possibly attributed to Foujita
Drawing on paper, likely mounted to board or heavy cardstock • Attributed to or Manner of Leonard Tsuguharu Foujita (based on the signature 'Foujita' visible on the left)
Style & Movement
Modernist / Ecole de Paris (School of Paris), demonstrating Japonisme influences
Medium & Technique
Ink and watercolor or wash on paper. Employs fine-line contouring and light tonal washes consistent with Japanese-influenced techniques.
Creation Period
Mid-20th Century (circa 1930s-1950s)
Dimensions & Format
Approximately 12 x 12 inches (sight); Square format, presented in a portrait-oriented mat/frame.
Subject Description
A delicate botanical sketch depicting a branch with multiple textured leaves. The composition is minimalist and organic, focusing on the linear quality of the stem and the rhythmic arrangement of the foliage.
Condition & Value Assessment
Condition Assessment
Fair to Good. There is visible toning/yellowing of the paper and a prominent moisture stain or foxing mark in the center-left area near the upper cluster of leaves.
Estimated Market Value
$1,000 - $3,000 (pending authentication). If fully authenticated as an original Leonard Foujita, this could significantly increase.
Auction Estimate
$800 - $1,500 for a minor work/sketch on paper.
Provenance History
Unknown; requires physical inspection of the verso (back) for gallery labels or collector stamps. The signature 'Foujita' suggests a French/Japanese provenance path.
Art Historical Significance
Foujita was a key figure in the School of Paris, known for blending traditional Japanese ink techniques with Western Modernism. If authentic, this study represents his interest in nature and his characteristic 'milky' or refined line-work.
Notable Features
Features a cursive 'Foujita' signature vertically oriented on the left side. The texture of the wash within the leaf boundaries shows a controlled, delicate application typical of trained ink artists.
Condition Issues
Paper oxidation (yellowing), light foxing, and a distinct liquid stain in the center. The matting appears dated and may be non-acid-free, contributing to the discoloration.
Conservation Recommendations
Suggest de-framing by a professional paper conservator to evaluate acidity. Recommend cleaning, deacidification, and remounting using museum-grade acid-free materials and UV-protective glass.